#there is a bit of spite and a bit of fascination

[dobbie-doo]

˗ˏˋ ꒰JUST A LITTLE BIT OLDER꒱ ˎˊ˗ ballader

You know it's wrong. You know it, and yet you melt in his cold hands.

✧ warnings — MDNI + smut ! fem ! reader, loss of virginity, vaginal sex, scara has a dick, finger stimulation,, pet names : "Persephone" + "my dear", some fanon ! Scara, long foreplay, !! cringe !! sex with feelings and a quote at the end.. Sсara is 500 years older than the reader, so so… ✧ minors do not interact. !! ✧ a/n —I love this song (Isabel LaRosa - older) , so I'm writing a fic,, drawing inspiration from a pathetic fragment of the song. Originally, another work was supposed to come out, it's already started, but I decided that it doesn't fit the atmosphere, so… I'll finish it later.. 💋

With cold palms he goes down to your sunken belly, outlining the silhouette with his long, aesthetically thin fingers, and presses on your belly under the navel, forcing you to let out a loud sigh that fills the coastal silence in the bedroom.

Scaramouche is now a puppet master, and you are just a fool..

The divine puppet covers your thin neck with tangible, cold kisses that contrast brightly with your skin, heated with arousal. His kisses should cause you fear, disgust.. But you are silent, you enjoy. Scaramouche stops his deceptively gentle caresses, only to meet your eyes, his gaze is sly, but at the same time gentle..

You can't lie here..You admit to yourself that this puppet is incredibly beautiful, with eyes of a flawless shade - His eyes are like lightning, sparkling in the dark sky, a rich indigo shade that fascinates and attracts the gaze. Sparks of blue slip through them, as if in the depths of the ocean, where light breaks through the thickness of the water.. When he looks at you, it seems that time stops, and the whole world around loses its significance.

Scaramouche, chuckling, slowly intertwined your hand with his, bringing it up, above your head. You seem to get lost in the vastness when his other hand presses on your cheeks to force you to open your mouth, and you, of course, obey. In another kiss, you are caressing each other with your lips excitedly, colliding with your tongues, which migrate from one mouth to another, until the oxygen in your lungs runs out, Balladeer, as if feeling how you are suffocating, slowly moves away from you, smiling, What weak people are.. And even sweet in spite of, he thought.

"Every moment next to you is like a sweet sin that I want to repeat."

"You are my personal hell, into which I dive with pleasure."

You swallow nervously from these phrases, at first glance, these phrases should evoke tenderness and affection, and so it would be, if you did not know Scaramouche well enough.

You want to rise up, to bestow tenderness on his body above you, but the puppet does not give permission, whispers warm words in your ear, convincing that there is no need for that, of course, he is much older, more skilled, the puppet has lived a long life to know all the dark and pleasant corners of human lust. His hand, in the usual black glove on the wrists, with a purple puppet joint that shines so much in the dark bedroom - slides to your thigh, gently stroking. You are in love with his hands.. beautiful, strong, which you can’t tell at first glance.

"In your breath I feel the wind of change.. You are trembling so.. Is it from fear? Or from desire?"

And you are silent.. You do not answer, only moan uncontrollably, writhing under him, the Marionette makes a mocking hum, shaking his head, slightly waving his beautifully ironed blue hair.

"Hmm.. I thought so"

Your knees are shaking when Scaramouche spreads them apart, settling himself more comfortably between them, Scaramouche playfully clings to your right nipple with the pads of his fingers, in response he receives your moan, presses lightly on your pearl, caresses it with a circular motion, and enjoys your first full-fledged moans, playing a melody in his ears. He squeezes your second nipple between his thumb and middle finger, pulls it out experimentally - making sure that it does not hurt you, so that only pleasure splashes in your eyes. And you, not knowing where to place your limbs, so carefully hug Scaramouche's back with your legs. - He smiles. How charming you are.

Your left bud is in his mouth: Scaramouche licks, sucks carefully, forcing your hands to touch his shoulders. He torments your young body sweetly, with his skillful tongue and graceful lips. He wants a deep kiss - but he does not allow himself to raise his head, he retreats back to caresses, because it is too pleasant, it is impossible to tear yourself away, he wants to please you more and more.

Scaramouche is surprisingly incredible in his tenderness, bordering on frantic rudeness; all his actions are neat, thoughtful at first, but as soon as you react somehow, he begins to bite your lips playfully, squinting his fox-like eyes - he presses harder, strokes more noticeably.

You can't breathe when Scaramouche covers your lips, you respond to his kiss invariably, and you delightedly catch the fuse opposite, realizing that soon both of you will burn to ashes, both will turn to ashes. Only ashes.

"I love you," you blurted out as if in delirium, and again you reach for a new kiss, into which Scaramouche smiles with fangs.

"You are now mine, dear, until your very end," and this is much better than the insipid "me too"

The inside of your thigh is attacked by his lips, he kisses you with a loud smacking sound, and you are embarrassed by this, because in your thin underwear the excitement is clearly visible, which smears the fabric of your panties with natural lubrication. Scaramouche, finally settling between your legs, leaving the last kiss on the inside of your thigh, notices your "wet" excitement and praises you for it lovingly, looks piercingly, accompanying his gaze with a frivolous bite, and then the puppet unexpectedly presses his lips to your clitoris organ behind the thin, wet fabric, to which the reaction follows immediately: You shudder, groaning loudly, and your legs at the knees bend in convulsions. Your whole body is a solid erogenous zone; wherever Scaramouche touches, wherever he kisses, your body's responsiveness to every movement is colossal.

Prelude, prelude… stretched out for hours, pushing you to the edge time after time, and then returning to the starting point, returning, Scaramouche teases, mocks, does not let you finish. And you can no longer stand it - you whine shamelessly, you reach for the elastic on your underwear, but they squeeze your wrist, Scaramouche looks at you sternly, and you recognize this look.. Usually he looks at his subordinates like this, or some ordinary stupid people, and when you catch this same look on yourself, you involuntarily want to shrink back.. Scaramouche throws your hand back roughly, does not allow you to take control.

"Let me…" Scaramouche whispers, his gaze softening and he grins cruelly when he sees your obedience.

And you are still lying on the bed, your legs spread apart with force, you surrender to the excitement that is covering you. Scaramouche circles your virgin entrance with his middle finger, and presses very tenderly, you tremble feverishly, frown slightly, but you ask him to continue, because you want more.

Scaramouche touches your cheek with his free hand, stroking it with his thumb, kisses it softly, Scaramouche again makes his way into your tender entrance with two fingers, moving them rhythmically, smiling from the squelching sounds below, and your feminine moans.

"That's it, my Persephone, make those silly sounds for me, show me how you like it.. Show me how good my movements make you feel!

With your moans, and the feeling of wetness and tenderness of your flesh, which is squeezed around his fingers, Scaramouche feels how something begins to harden in his pants.. Hah, and he even forgot about his satisfaction, although, he does not even need it.. But he can not leave his woman in such a position, when she is already ready to give him her purity.. innocence. And he grins, how stupid you had to be to decide to give such a precious thing - your virginity, to a man like him.

You gasp when his fingers are replaced by a member, gracefully curved, and with a purple tip shining, half immersed in your pulsating heat. You scream loudly, letting the tears fall, and Scaramouche almost even vulnerablely presses himself against you, licks the tracks of your salty tears, and whispers in your ear tirelessly about how beautiful you are, how wonderful you are and how incredible. You promise him eternity, swear fidelity with all your being, and firmly say that you will never betray him.. And Scaramouche admits to himself that he wants to believe it.

His thrusts are slow, excruciatingly slow and rough, you can't breathe. At one point you even start to move your hips in response to his thrusts, and Scaramouche throws your leg over his shoulder, crashing into you at a new angle.

The slapping of skin on skin seems loud and vulgar, your loud moans and his quiet growl are lost in the depths of your apartment, and you involuntarily think that you are happy at this very moment. The man you love, exalted by you, looks like a work of art from above you, carved from marble as if by the archons themselves: his body, slender, beautiful, is hidden under the thinnest black turtleneck without sleeves with the golden emblem of the Shogunate on his chest; your man's face is unrealistically beautiful, it is incomparable to anything previously seen, it shines against the background of any celebrity in Teyvat and, in general, it cannot even be compared with the stars in the sky, because it is many times more beautiful. A lot can be said about your beloved, but is it worth it while his dick is pounding into you, tearing more and more moans from your lips?

"Ah..Kabukimono.."

Hearing his first name, pronounced from your lips, Scaramouche seemed to break loose - he began to move his hips into you harder, more passionately, more roughly, wanting to give you pleasure that you had never experienced before, you moaned in his ear so unbridled, loudly, that Scaramouche involuntarily shrank and even hissed, but did not stop pressing himself so close to you and did not slow down your thrusts.

"A-ahhhh..Kabu..Please.."

"Hmm? What are you mumbling about? Didn't you want to be mine completely? Now take me properly my Persephone"

Balladeer looked insanely pleased, fanatical in his desire to destroy and break your body, so that it could only twitch and tremble in endless orgasms, while the room was again filled with his beloved silence.

Real madness.. From the pain you have only an unpleasant memory, and the convulsions in your body are no longer from suffering - you feel too good, the feelings are too bright. It's as if you're burning before his eyes, your consciousness is losing you, already slipping away with every new wave of pleasure and with every cry that escapes your lips.

You seem to catch falling stars with your eyes when you bring your knees together and lose yourself uncontrollably and in orgasm.

And finally, he stops his thrusts and carefully pulls out of you, you're lying on the wet bed, you're all flushed, sweaty, and the balladeer doesn't give a damn! - not even a drop of sweat on him.. Scaramouche breaks away from you and slowly rises above you, his eyes gazing into every hollow of your body, every breath, every movement.

"Hmh..hmm? Hah.."

His gaze stops on a barely noticeable red spot between your legs, further testifying to the fact that you are now his. He lovingly strokes your ribs with his cold hands. Your bitten lips twisted into a satisfied smile, your head was spinning from a mixture of defamine and adrenaline.. So good..

"Are you cold, my dear?" Scaramouche softly pressed his lips to your temple when you nodded shyly, bringing your legs together. Scaramouche carefully put the sheet on you, ruffling your hair. Feeling how your consciousness slowly falls asleep, you calmly fall into the kingdom of Morpheus. Scaramouche, watching you, thought "what a wonderful creature", And even, not afraid of his thoughts, Scaramouche lay down next to you, looking at your relaxed face with awe and obsession, quietly saying;

"In a room full of art, I would still look at you.."

✧ Even the most terrible person, on the most beautiful night, says the most beautiful words..

@himasgod @shyentsfoundherink

[be-side-my-self]

In before because this is not on OP. OP is doing a good job! Thank you for your work!

But seeing this poll i the end is fucking hilarious.

In a really, really sad way.

What this shows is that people don't ship Climbing Class enough to make them win against a crossover ship?! This poll is really telling me that they did not even manage to win against a - let's be honest here - crackship?!

This is sad and it just shows that the fact that they won against Hackearney had nothing to do with how "loved" Climbing Class is and everything about how much people HATE hackearney.

It's funny but so, so sad.

And I am so so sorry for the people who genuiely love Climbling Class and maybe found new love for the ship. I saw that there are quite some new fanfictions so the ship is certainly not dead. Andthe few how reblogged this really wanted climbing class to win but...

Also I am sure that most people voted Laura Kearney x Hannah Washington just for fun to see if it's possible to make Climbing Class lose. I voted on the second day for Laura x Hannah (I don't even know anything about Hannah!). Imagine my surprise when I saw they were in the lead?! I did not reblog because I did not wanted my followers to ask to vote against Climbing Class... I was already feeling a little bit bad for voting at all. Then, whenever I looked, Climbing Class was not even CLOSE so winning. The whole week...

And I don't think anyone was actually expecting that. I know I did not! There is literally NO CONTENT for Laura/Hannah.

And just to use numbers a total of

2493 votes on Hackearney vs Climbing Class!

Climbing Class (52,7%) - 1.314 votes vs. Hackearney (47,3%) - 1.179 votes.

We all know that was not normal and most certainly there were bots involved! Anyway

270 votes on Climbing Class vs. Laura x Hannah

Climbing Class (44,4%) - 120 vs. Laura x Hannah (55,5%) - 150

Look at those numbers... and now let's look at a third poll just to have comparable numbers!

235 votes on  Granthem Du'Met x Erin Keenan vs. Hackearney

Granthem Du'Met x Erin Keenan (33,6%) - 79 vs. Hackearney (66,4%) - 156

Fascinating! 156 people who voted pro Hackearneny and 150 people who voted Laura x Hannah? Is it possible that those are all spiteful votes? Would this be the real result in Hackearney vs Climbin Class if not for the hate?

Curious... let's see how many votes Laura x Hannah got in the round before! Because they already won once so there has to be some support. Let's see how they fared.

Well, it's a triple but the number of votes it's still comparable, right?

221 votes on Laura x Hannah vs. Emily x Ashley vs. Beth x Laura

Laura x Hannah (47,1%) - 104 vs. Emily x Ashley (35,3%) - 78 vs. Beth x Laura (17,6%) - 39

Still good number for the crossover ship of Laura x Hannah.

That makes it look like that Laura x Hannah did not purely got supported by people who are spiteful or thought it would be funny to see Climbing Class lose. We can assume that not all votes against Climbing Class were actually pro Hackearney.

Obviously there is a small number of support for Laura x Hannah, people that like the idea of them.

It is also very much possible that Laura x Hannah now has a total of 150 supporters and people will star to create fanart and fanfiction. Would be neat.

But still... Climbing Class lost against a crossover/crackship.

Again I don't think anyone expected it... and again it all just shows how sad it is for Climbing Class that they lost in the second round because it sure looks like people don't care enough if the ship does not go against the """problematic""" Hackearney or they get something in exchange for voting for them.

Josh Washington x Chris Hartley (Climbing Class)

1. they're so iconic, so cute, so tragic. just the true otp

Laura Kearney x Hannah Washington

1.monster gfs <3

[yellowocaballero]

Omg hi Ms. Yellow Caballero big fan of your work <3 For real though, I'm really excited that your sharing the Weekenders, it was a joy to read and I'm bongocat-ing now that others also get the privilege to read it as well.

Referencing your tags, would you please elaborate of ableism in fandom and, like you said, how fandom treats characters with unpalatable disabilities?

Hi Ms. Bud Lite I'm a big fan of you <3

TL;DR A fear of writing characters of highly marginalized identities shields you from criticism and discomfort, but it's actively stigmatizing to people of these identities and as a writer you really need to get over yourself and write The Icky People.

I guess I'll come out swinging on this one and say that fandom doesn't like severe mental illness. (As a note, when I say severe mental illness (SMI) I mean illnesses such as psychotic disorders, bipolar disorder, substance use disorders, personality disorders, etc)

Obviously, nobody likes people w/SMI. It's just insanely egregious in fandom to me, since fanfic writers absolutely love writing characters or HC characters with depression, anxiety, or a specific variety of PTSD That Isn't Scary. People actively reject any character HCs for a SMI. When people write a character with SMI, they nicely downplay it, ignore it, substitute it for a disorder they like better, or rewrite it. It's completely untolerated, in both headcanons and in fanfiction, and every time I bring it up I always get the most interesting reasons why somebody couldn't possibly acknowledge a character's SMI in their writing. I've heard all of these:

"I don't know enough about the disorder to write it accurately." Do research.

"I'm not X, so I can't really depict it." You probably aren't a cis white man, but you depict those guys just fine.

"It feels insulting to the character." There is no shame in having a SMI.

"I can't understand what it's like, so it's better to be cautious and avoid giving characters stigmatized identities." There are LOTS of experiences that you'll never understand because you've never had them - you just don't want to write anything you're uncomfortable with. People with SMI make you uncomfortable, and you don't want to write anything that makes you feel uncomfortable, or think of a comfort character in an uncomfortable way. SMIs are marginalized differently than solely depression/anxiety/The Nice PTSD, and by refusing to write them you're actively contributing to the stigma.

I think (?) I've spoken in the past about how I believe that the rigorous external and internal policing of writing people of marginalized identities is actively harmful towards efforts to increase diversity of experience and background in fiction. A lot of fanfiction writers are just terrified to write people who they can't directly relate with, because they're worried 'they'll get it wrong' and be Big Cancelled. I think this is negative enough when it prevents people from going outside of their comfort zone, but on a macro level I think this results in people refusing to write characters of marginalized identities as all. It's an insidious thought process, and it's reflected in people's unwillingness to diversity their writing or acknowledge canon diversity.

'Well, I don't understand what it's like to be Black, so I don't want to write Black people'. 'I want to project on this character, so I only want to write them with mental illnesses and identities I have'. 'If I write a marginalized character incorrectly people will yell at me, so I won't write a marginalized character who's marginalized differently than me at all'. Can you imagine writing a lesbian character with a boyfriend because 'you feel uncomfortable writing lesbian experiences'? It's blatantly homophobic. But people do that with disability and race/ethnicity ALL THE TIME.

People with SMI notice that you feel uncomfortable with them. It's obvious. They notice when a character has a SMI + anxiety, and you only write their anxiety. They notice when a character displays symptoms of a SMI in canon, but you write it out. And POC notice when the characters of color are written out. I know we all like to project on the blorbos and relate to them, and in the joys of your own head do whatever, but as a writer if you only stick to identities you're comfortable with you are actively being a worse writer. Which to me is the REAL sin lmfao.

[stonesandpeaches]

little shenanigans with my belooveds

ive always wondered how glitches can manifest on geno and error? perhaps theyre more electric and physical on geno (a bit more in tags), which id headcanon on my alternate version, Cide! so now the goddess of death, Mors, has got some investigating to do with this weird glitch guy she found ditched in a pool of his own DT

cide and mors are from my au @luciddreamtale-au

[kindaorangey]

also like i keep reading fics where people try to spin daniel's turning as something he was sort-of into, and that he sort-of consented to it (although with his life being threatened he could never consent fully, yanno) and also it tends to be intermingled with him and armand having sex and like. i know im a killjoy for saying this but i really hope in canon it isn't like that. like the turning is this massively violating and cruel thing and honestly i think it'd be a lot more interesting for it to be one more issue the two of them have to move past before they have any sort of relationship with each other

[femmefaggot]

i suck at volume control and glad i live upstairs sorry for yelling mouthwash so loudly I scared myself

[midnightwind]

continuing to noodle around with my Dalish mage who was kicked out at 10 years of age, but snapped up by the Crows after a brief stint of Roughing It in the woods and how her actual ability to retain the important knowledge of how to deal with and avoid demons probably sucks ass

anyways I have a short blurb I'll probably share in a few, totally unrelated I promise

[ineffectualdemon]

Idea: Shen Jiu wanders by the camp of children waiting for the entrance exam one night and comes across a small child beating Shang Qinghua with a stick shouting about his terrible writing and stupid ideas

It's very amusing even as Shang Qinghua is clearly not hurt he still looks cowed. And Shen Jiu is thoughtful, leaving his Shidi to get beaten by a small child

The next day the kids barely break soil before Shen Jiu is like: "That one" pointing at Shen Yuan

Everyone is surprised and pleased with his decision he leaves and in a frantic bit of panic Shang Qinghua nabs Luo Binghe

Which leads to Shen Yuan repeatedly stealing Luo Binghe and when questioned he says "he belongs on Qing Jing, not with that man"

Shen Qingqiu is delighted by the spite and joins Shen Yuan in trying to get Luo Binghe to switch to Qing Jing but Luo Binghe actually quite likes An Ding and Shang Qinghua who ruffles his hair and personally taught him to read.

(Shang Qinghua just wants to not die)

Anyway Shen Qingqiu secretly delights in Shen's sassy and snarky ways but he's also bad with children so he's like "fascinating." *pokes Shen Yuan with a long stick*

Ming Fan tries to bully Shen Yuan and gets called a "forgettable cannon fodder" and "ant boy" and immediately deflates and cries

Remember Shen Yuan was a bored rich kid internet weirdo. He's not dealing with bullshit if he can get away with it

[osarina]

ᡣ𐭩 WERE WE BETTER UNKNOWN?

FEATURING: dazai osamu

SUMMARY: your story with dazai comes to a close... but is it really the end?

AUTHOR'S NOTES: guys. oh my god i have so much to say, i will put it all at the end. but i am so annoyed because the heart in the title looks wonky as hell—for some reason it looks fine on desktop but on mobile it’s fucked ip :’) comments & reblogs appreciated!

GENERAL WARNINGS: fem!reader, port mafia executive!reader, civilian!dazai, dazai's struggles w suicide & sh, reader partakes in mafia business, dazai isn't dazai without a bit of obsessiveness and possessiveness (the possessiveness doesn't come til later but the obsessiveness starts from day 0).

CHAPTER SPECIFIC WARNINGS: hardly edited. mentions of past suicide attempts (dazai). non-sexual nudity/intimacy. reader has 1 scar that dazai points out.

SEE: WASTELAND, BABY! SERIES MASTERLIST

Dazai dreams of a vast frozen lake.

Is he dreaming? He’s not sure. It’s cold, he shouldn’t be cold in dreams, right? 

He lets out a shaky breath, and he can see the cool air fan around him. He shivers, hands running up and down his arms to try to warm himself up, but it’s futile—the snow that flutters from the sky is sharp against his skin and the air is bitterly cold, but the wind is oddly still. Eerily still. His shoes crunch against the snowy bank as he draws a bit closer to the edge of the lake, trying to figure out where he is.

“... are we going to…”

Dazai startles at the vaguely familiar whispery voice, eyes wide and searching as he looks around trying to pinpoint who had spoken, but there’s no one in sight. He can hardly see

Hell, he thinks dizzily, is he in hell?

Dazai’s fascination with literature began with his fascination with death. It started as a child—morbid and odd as it might’ve been, he was bored with life. He supposes that it’s part of the reason why his siblings didn’t like him, besides his ability, of course. He always had questions that people couldn’t answer—what happens after someone dies? They go to heaven, honey, his mother would reply. How do you know that? We just do. But how? What if we don’t? What if we just die? Stop asking so many creepy questions, Osamu, his sister would snap at him, curling into his mother’s side. But what-

He would keep asking until his sister got visibly upset and his mother had to take her out of the room. He never really understood why—they were legitimate questions—but his mother’s evasion of the topic and his siblings’ aversion did not deter his curiosity. In fact, when the first of his cousins died at the hands of one of his others, it spiked his curiosity. He almost found himself jealous that they would have the answers to the questions that have been plaguing him for years.

His questions of self-worth and his place here on earth didn’t come until he was a bit older, but he supposes at some point they probably merged together. His own doubts about himself and his lack of normalcy compared to other people led to his general fascination with death slowly turning into fascination about his own death. He found it quite ironic, and maybe a bit disheartening—he can’t even die correctly—that of all of the many members of his family, the one obsessed with death was the one that survived the longest, in spite of actively striving for eternal rest.

His fascination with death was put to an abrupt halt by Odasaku’s arrival in his life. Or well, that’s not exactly right. His fascination with his own death was put to a halt—Odasaku humored all of his questions, even if some of his answers were absurd and nonsensical, but when Dazai tried to spin the conversation back to himself, Odasaku would put his foot down. 

Dazai only tried to kill himself once while he was living with him—it was around when Odasaku first took him in, and Dazai didn’t think the man would care all too much if he was gone. Ango was the one who found him in the bathroom, funny enough it was his first time meeting the other man, but when he woke up in the hospital, Dazai decided he never wanted to see that haunted expression on Odasaku’s face ever again. 

It was around then when Odasaku started telling him about his book, and he helped redirect Dazai’s unhealthy fascination with death to a different outlet: literature. The Divine Comedy, the Aeneid, the tale of Orpheus and Eurydice—it was Odasaku who introduced him to them all. He enjoyed reading other peoples’ interpretation of the afterlife; he and Odasaku would have full blown debates over which interpretation was nearest to truth. 

Dazai isn’t particularly convinced there is an afterlife at all, but he always thought that if there was one, it might look most like Dante Alighieri’s vision. 

Like this. 

“... can’t just stop, he’ll never let it be…”

This voice isn’t unfamiliar. Dazai’s head snaps up, eyes wide and searching as he tries to seek you out. Your voice sounds like it’s coming from all around him—the wind carries it, he can’t tell where you are and the icy air makes it hard for him to keep his eyes open to try to track you down. The wind is strange though; it stops blowing all around him, and instead begins billowing inward toward the center of the lake.

A foreboding feeling suddenly settles over Dazai.

Lake Cocytus—if this is what Dazai thinks it is, then it’s meant to represent the Ninth Circle. Treachery. A little ironic, maybe, considering loyalty is what got Dazai killed—your loyalty to the Port Mafia. 

Is he dead? He realizes suddenly that he very well might be, not quite as pleased with the idea as he might’ve been in the months before he met you. He feels… unfulfilled almost. He never finished Odasaku’s book. He didn’t even manage to get his degree. He felt what it was like to be loved for a few months, but it wasn’t enough. He’d wanted more. He wanted a life with you. 

He still wants a life with you, he thinks miserably. Even after everything that happened, he still wants it.

He must not be dead, he thinks absently, kicking at the snow on the banks of the lake before slowly treading out toward the center of it. If he was dead and really in the Ninth Circle of Hell, then he’d be stuck in the lake with the rest of the betrayers. Although, Dazai thinks if he really was going to hell, it wouldn’t be this circle—he doesn’t think he’s ever really betrayed anyone to this degree.

Or maybe he did, his thoughts take another dejected turn. Would his ‘betrayal’ to you count? It’s not like he actively tried to deceive you, so he thinks he should be given some leeway. But maybe it wouldn’t be too bad, if he’s here because he deceived you, then you would certainly be here for betraying him—he wouldn’t mind being stuck in hell if you were there with him. You both could be buried in the ice together, eternally frozen and suffering for betraying each other. 

It’s kind of romantic, if you really think about it.

Something bubbles in his chest—maybe a laugh, or maybe a sob, he can’t tell, he thinks maybe he’s a bit hysterical. 

It must just be a dream, he thinks again for some minimal solace. Or maybe a warning, maybe he’s somewhere caught in-between and God is striking down his hammer, warning him this is where he’s going to end up if he doesn’t change his ways like the message of the Divine Comedy itself.

The thought makes him laugh.

He sobers up quickly though as he starts his trek across the lake, thinking that maybe if he got to the other side, or the center, he’d wake up. He thinks you would find this funny—one of your first conversations with him had been about The Divine Comedy, and he spent many nights at dinner roping you into conversation about it, and convincing you to read some of the other books and poems that Odasaku had introduced him to. You-

“... one life or hundreds, that’s what he said…”

Dazai nearly slips on the ice when he hears your voice again, looking around as if you would just magically appear around him. You don’t, but it does leave Dazai a little disheartened hearing you repeat the words that Mori had said to convince you to kill him. He sighs as he keeps his gaze trained ahead, careful to not look down at the ice lest he find himself looking at something he would rather not.

The outskirts of the water were the traitors to kin—Dazai remembers that well. The first time he read the poem, he realized that this is where the majority of his cousins and older brothers would be. They spent almost two years killing each other for their grandfather’s inheritance; Dazai went from having seven siblings and almost two dozen cousins to three siblings and a handful of cousins by the time of the coup.

Traitors to country in the next section—Dazai thinks a bit gleefully that Mori would end up there. The Port Mafia isn’t exactly a city or country, but it’s still an entity, and Mori certainly betrayed it when he killed Dazai’s grandfather in his own bed, no matter what the reason for it might be.

Traitors to guests in the next section—this gives Dazai a bit of pause, he doesn’t know if he knows anyone that would fit in that section. Ui, maybe? Inviting him to work with his journalism house only to give him up to the Guild. Maybe Mori again, Dazai thinks, highly amused, because Dazai was a guest to you, and therefore, the Port Mafia, when everything happened. 

And the last section—traitors to benefactors. He can’t avoid looking at them; they’re the only ones above the surface of the lake, grotesque sculptures of ice that decorate the surface of the center of the lake. His steps slow as he walks through them all, a heavy feeling settling over him as his gaze focuses on the oddly familiar sculpture in the very center of the lake.

Is that-

“There’s only one way this ends.”

Dazai’s breath catches sharply. He slips on the ice as he rushes forward, eyes widening and hands flying forward to catch himself, but his stomach lurches painfully and before his hands can hit the ground-

Dazai sits up with a ragged gasp, eyes wild and nails digging into the fabric of the soft couch he’s laying on. His head is aching and he feels sluggish; he’s still reeling from what he’d just woken up from, but his heart rate is starting to calm down.

Just a dream, he confirms, but now he’s more preoccupied with trying to figure out where the hell he is and why he isn’t dead, because the last thing he remembers is you lifting a gun to his head and pulling the trigger. The room he’s in is small—there’s no windows, there’s a tiny kitchen on the left side of the room, and on the other side-

“Everyone out.”

Dazai’s gaze settles on you. You’re standing near the far wall—you haven’t changed from what you were wearing at the conference room with the other Port Mafia executives, and Dazai can see Ace’s blood still crusted around your finger nails and splattered on your shirt. Your gaze is focused on him, an unreadable expression on your face, and Dazai is so tunnel visioned on you that he hardly notices that there are a handful of other people in the room: your three subordinates, Nakahara Chuuya, Albatross and one other who had been at the fight against the Guild.

They don’t argue with you, most of them file out of the room without a word, only Albatross and Chuuya linger. The ginger gives you a long look before saying, “We’ll buy some more time. Just… figure out if this is really what you want to do, okay?”

You finally look away from him at Chuuya’s words, cringing and averting your gaze to the ground. You say quietly, “It doesn’t matter what I want. It has to be done.”

Chuuya sighs but nods, motioning for Albatross to leave with him—and then the two of you are left alone. You don’t approach him. Ironically, you look like the one akin to a cornered animal as if you hadn’t been the one to shoot him. If anyone should feel like a cornered animal right now, it should be him.

Instinctively, he lifts his hand to his forehead, frowning at the bandages wrapped around the top of his head. He looks back up at you curiously, but you grimaced and looked away as soon as he touched his forehead, so he can’t catch your eye.

He has a million questions he wants to ask. What happened? Why didn’t the bullet kill me? Why didn’t you kill me? Did you believe me? Do you believe me? Are we okay?

Dazai doesn’t know if he wants to know the answer to the last question, so he settles with: “Where are we?” 

Though you’d stiffened as soon as his lips parted to speak, you relax when you hear the question he asked.

“A safe house in Sakae,” you say quietly. Dazai starts to sit up but his vision swims so he has to stop and rest back down against the arm of the couch, blinking furiously. “You should take it easy… You’re probably going to feel a bit off for a couple of hours.”

Dazai is about to ask you what exactly happened, but the words die on his lips when you finally draw closer to him. You sit down on the couch next to where he’s laying, your body brushes his and Dazai feels warm. The remnants of the frigid cold of his dream vanishes as soon as the warmth of your body grazes his—he knows that there are many things that need to be addressed, but he would be content to avoid those topics and bask in your comfort for as long as he can. 

His eyes slide shut as you reach up to cup his cheek. He doesn’t even bother reopening them when he feels you lift your other hand to remove the bandages from around the top of his head—he thinks maybe he could almost doze back off. It’s only when you let out a soft sigh and fasten them back on does he finally bother to open his eyes again. 

“I don’t have enough bandages on me already?” he asks, his voice is light and the smile on his lips is teasing as he tries to lighten the mood a little, but it doesn’t work.

You don’t respond to his comment. You look down, and the small smile on your lips doesn’t meet your eyes, so his falls off his face as he stares up at you carefully and finally asks the much dreaded question that would lead to even more dreaded questions:

“Will you tell me what happened?”

--

“We need to go,” Chuuya says, hand wrapped around your wrist tightly. You don’t budge from where you’re standing, staring at where Dazai had fallen back over the edge. It was a short drop with mud softening the fall, he would be okay—if everything went according to plan, that is. Otherwise, the bullet you just shot at him killed him anyway, so the fall is inconsequential. “Come on. We can’t stay here. We have to go.”

“How do-”

“Not here,” Chuuya hisses. “Come on.”

“Chuuya-” you breathe out, voice wavering over his name. You can’t bring yourself to move even as Chuuya tries to drag you away. “Chuuya, I need to kn-”

Need to know if this worked. Need to know if he was able to stop the bullet. Need to know if you actually just killed the boy you’re in love with.

“Not here,” Chuuya replies, voice harsh, cutting you off before you can say anything more incriminating. 

This time, he doesn’t wait for you to follow him—he yanks you along with him, not even bothering to steady you when you stumble. You know you should snap yourself out of this, you know Mori has people trailing you to ensure you follow through with Dazai’s execution, but you’re haunted by the expression on his face when you pulled the trigger.

He accepted it.

You had the gun to his head. You asked him to forgive you. He said he did, and he accepted that he was about to die at your hands. A part of you is eager to convince yourself that maybe he saw through your plan, that he realized you weren’t going to kill him, but that look in his eyes…

He didn’t know, and he accepted it anyway.

Your stomach churns. The ragged breath you take in cuts off abruptly as you gag over it—you saw the blood, you don’t know if Chuuya was able to stop it. You don’t know if Dazai’s nullification ability prevented Chuuya from using his own ability to slow the bullet before it killed him. You don’t know if he fell backward because he was shot or because the high dosage sedative that you swiped from Mori’s office set in as quickly as it was supposed to. You don’t even know if Chuuya had been able to inject it in him with his ability. You don’t know anything.

“Don’t you dare throw up on me,” Chuuya mutters as he opens the car door and ushers you inside. 

Instead of sitting in the front with Albatross, he sits in the back with you, sharing a sharp look with Albatross before the other man finally pulls away from the ports. He still doesn’t say anything else—he knows better. This is one of the Port Mafia’s cars, tapped and actively being transmitted to one of Kouyou’s subordinates who will report to her and Mori anything that seems off, and you need to buy as much time as you possibly can before Mori realizes Dazai isn’t dead.

Because Dazai isn’t dead. He can’t be dead.

It worked. It all worked.

It had to have. 

Just as you expect, your phone rings as soon as the car starts moving. Mori has eyes on you—he was waiting for you to finish with the execution before calling. You’re certain that he’s going to send someone to check the body now; he doesn’t trust you to finish the job, not when something as fickle and unpredictable as love is involved. 

Klaus will have to be quick—you don’t even know if he was able to find a lookalike to kill so he could swap out the body. You only were able to give him a twenty, maybe thirty, minute heads up. Dazai is plain looking, yes, and the mud he dropped in should do some work at concealing his identity, but if Mori’s shadow sends him a picture to confirm the kill, the slim amount of time you hope to have bought with your fake out will be halved.

You stare down at the phone and let it ring once, twice, and finally on the third ring, you lift the phone to your ear and accept the call, waiting for Mori to speak.

“Has it been done?”

“Yes,” you reply, voice steady even if your fingers are trembling around the phone. “Do you need me back at headquarters?”

“No, I’m sure that wasn’t easy for you. You should get some rest. I have a meeting with Tolstoy in a bit anyway. I’ll meet with you tomorrow after I have tea with Elise-chan so you can debrief me on the meetings with the Guild,” Mori says easily, his tone is light and airy, and it makes you angry, because how dare he sound so flippant after what he just expected you to do. “... I’m sorry things had to end this way, dear. I’m proud of you. You did well.”

“I know,” you say tightly in response before hanging up and putting the phone back down in your lap. 

Chuuya watches you carefully, but he doesn’t say anything, and you stare ahead at the back of the driver’s seat. It’s a twenty-five minute drive from the ports in Naka to Sakae—for better or for worse, it’s going to be a quiet one. For better because you think you might start crying if you have to speak, and for worse because now all you’re plagued with is your own thoughts and the image of Dazai’s face before you shot him.

You didn’t shoot him. Not really.

But you did, you don’t know if Chuuya was able to stop it. You don’t even know if Chuuya knows if he was able to stop it. There was a splatter of blood. You saw that, and there shouldn’t have been blood if this worked, so the worst case scenario looms over you heavily. But you won’t know until you get to the safe house—until you hear from Klaus. Your breath hitches over a sob you’re forced to swallow; your chest burns and tightens uncomfortable.

You had to do it, this was the only option. Anything else and there was no shot he wouldn’t have been killed. Maybe not today or tomorrow, but he would be killed. You wouldn’t be able to protect him from Mori otherwise—he would’ve put a hit out on him, and Dazai would have all of the most dangerous assassins in the underworld out for him trying to get the bounty. You can’t protect him from that. You needed to buy time. You needed to buy time so you could-

You don’t finish the thought. 

You don’t think you’ve come to terms with what has to be done if you want to protect Dazai. A part of you doesn’t even know if you’ll be able to follow through with it, but you’ve already set yourself down the path of no return and you’ve dragged Chuuya down it along with you. Either you follow through, or the three of you are going to be on the run for the rest of your lives.

Shit.

Your gaze tracks back down to your phone. Still nothing from Klaus—nothing from Akutagawa either. The silence is too loud, each second that passes has you aching with a pain that feels like knives dragging against your bones. You just need to know, you need to know that he’s okay, that you didn’t-

You rest your forehead against the window when nausea builds back up in your stomach. It’s cool, and a welcome reprieve from the heaviness weighing down on you, but the moment your eyes slide shut, you’re faced with Dazai again and no amount of deep breathing and grounding techniques can stop the way your heart rate sky-rockets, breath becoming quick and shallow.

You see him. You see him, and he’s looking up at you, dark eyes wide and adoring as he looks at you like you’re the only thing in the world that matters to him, and his lips part to say something but before he can, you see something thick and red trickling down his face over his lips, and suddenly something is weighing cold and heavy in your hand but you can’t bring yourself to look down at it, but you can’t drag your eyes from his face. Can’t hide yourself from the way his warm eyes are suddenly wide and glassy, void of all of the emotions that you’d just-

Your arm hurts—sharp and painful and so sudden that you’re dragged from the images haunting you. Your gaze cuts over to Chuuya, who’s giving you a concerned look. You realize he must’ve shifted over a bit, brushed his arm against yours to use his ability to jolt you out of your spiraling thoughts. When he realizes that you’re back in the present, he gives you a pointed look and then directs his gaze outside.

You’re almost there. How much time had passed?

Why hasn’t Klaus or Akutagawa reached out to you?

What is going on?

Albatross doesn’t stop in front of the safe house—there are too many cameras in the street and all of the Port Mafia’s cars are tracked. Instead, he takes a left on the next street because it’s one of the few without a red light camera and a blind spot on the corner. His gaze flickers up to the rearview mirror and he pointedly raises the volume of his shitty music a few decibels louder to cover the noise of the car doors opening and closing as you and Chuuya slip out when he stops at the red light.

You leave your phone in the car and you’re careful to avoid the camera near the bakery on the corner as you follow Chuuya around to the alley that leads to the back entrance of the safe house. It’s not a Port Mafia safe house—it was Itou’s. This was where he stayed in the few months during the Dragon’s Head Conflict where he was on his own, after he left Strain but before you recruited him to the Port Mafia. It was well hidden and well protected, you hadn’t been able to track him down here until he brought you here—he made sure that it was a blind spot in the Port Mafia’s ever-watchful eye over Yokohama, and you made sure to keep it that way once he was gone. 

It’s only once the steel door is shut behind you that you can finally speak, gaze focusing on Chuuya desperately as you wait for him to tell you if he was able to do it or if Dazai’s ability…

“Did you hear from Klaus or Akutagawa?” he asks quietly, and that’s enough of an answer.

He doesn’t know. 

You feel sick—your stomach lurches and you don’t know if you start to stumble toward the bathroom or the couch or straight to the floor, but it doesn’t matter because Chuuya is darting forward to grab you and guide you over to the couch.

“Chuuya, if I-” you start to say, your words are raspy and you can’t even bring yourself to finish them. “If I-”

“Don’t,” he says, wrapping an arm around you. “Don’t bother going there yet. Wait for Klaus and Akutagawa.”

“But-”

“Stop,” he insists. “All you’re going to do is torture yourself.”

Isn’t that what you deserve? You want to say to him, nails digging into the palm of your hand so deep that it draws blood. Chuuya catches what you’re doing and immediately moves to unfurl your hands. Everything you’ve done. You killed Dazai’s family. His siblings. His cousins. You ruined his life, and then after everything, it wasn’t enough. You ruined his life and then you took-

“Hey, stop,” Chuuya interrupts your thoughts, clearly realizing what path they’re going down. You don’t realize your breath is ragged again until he grabs your chin and twists your head to force you to look at him. “I know what you’re thinking, but we can’t do this right now, we need to plan. We don’t have time, and when Klaus and Akutagawa get here with him, we need to know what we’re doing. You need to snap out of it.”

You don’t respond to him—your lashes flutter and you see Dazai again, you see blood, you see empty eyes, you see the gun in your hand, and you feel something warm and wet trickling over your cheeks. Chuuya spits out curses to himself and wipes away the tears streaming down your face. He’s gentle now, the rough grip on your chin disappears and is replaced with his hand cradling the back of your head as he pulls you closer to him. He presses your ear to his chest, hoping that the steady thrum of his heart is enough to ground you.

“Where the fuck are they?” he spits out more to himself than to you. His breath hitches and you can hear the stammering of his heart, and you know that he’s nervous, but he’s trying to hide it for your sake. “I need you here. What we just did-fuck-”

You try to snap out of it—you do, but every time you blink you see him. You see what you did. You knew this would happen from the very beginning, you knew it, and everyone warned you, but you’re selfish. You’ve always been so selfish.

You don’t know how much time passes. Ten minutes. Twenty. Thirty. It all blurs, it all feels like eternity, but eventually, the door to the safe house slams open, and only a handful of people know about it.

Your gaze snaps up, and you don’t realize you’re holding your breath until Klaus steps into the room with a familiar figure slung over his shoulder like a sack of flour. Both of them are covered in various substances that you think you would rather not know what they are, but you can see the steady rise and fall of Dazai’s back. You rise to your feet abruptly and Chuuya lets out a relieved breath, shoulders slumping.

Klaus immediately points an accusing finger at you. “I had to hunt down a civilian, kill him, crawl through shit and trash with a dead body to swap it out for your boy, I had to carry him across half of the city, and I couldn’t even channel Mephisto because he nullifies him. You better not complain about any messes I make for the next six months,” Klaus demands, and then points wildly back toward a very clean Akutagawa, who casts an unimpressed look his way. “And he didn’t even help me. He stood there and watched.”

“I was ensuring that no one saw what we were doing,” Akutagawa replies primly. “Even more important than your job, considering if someone saw it would all be for naught. You should be thanking me.”

Klaus’s face goes red with anger as he whips around to face him and roars, “More important? Thank you?!”

You laugh. It’s so startling that all of the anger washes away from Klaus’s face and the goading expression on Akutagawa’s disappears. Or you think you laugh—you think you might be crying again too. Both boys look aghast by the sight of it, looking at each other as if waiting for the other to do something to make you stop.

Eventually, Klaus steps forward and unsurely tries to pass Dazai’s unconscious body over to you as if to try to make you feel better by shoving him in your arms. Chuuya slaps him hard over the back of the head causing him to yelp.

“Put him on the couch, what the fuck is wrong with you? Why are you passing him over to her like he’s a fucking stuffed animal?” Chuuya snaps, giving him a plainly judgemental look before resting his hand on your shoulder. 

Klaus looks disgruntled, but he does as Chuuya asks, laying Dazai down on the couch where you and Chuuya had just been sitting. You drop to your knees next to him, and the room is oddly silent as you look down at him. You don’t feel their gazes on you, so you assume they’re giving you privacy as best they can.

He looks… peaceful. You could almost imagine that you were coming home to him napping on your couch after he spent the whole night playing some stupid video game in your living room. You try to imagine that’s what this is, but the bloody indent in his forehead prevents you.

It almost broke through his skull.

He almost died.

You almost killed him.

You feel a bit sick as your fingers trace up to the wound on his forehead. It’s still bleeding, but his forehead is clean compared to the grime that covers the rest of his body. Klaus and Akutagawa must’ve had the brain to stop and clean the wound before it could get infected—that’s probably what took them so long.

You feel someone come to your side, glancing up to see Akutagawa hovering next to you with bandages in hand. He passes them over to you silently before quickly walking away. You let out a soft breath as you unwind the bandages, gently lifting his head so you can wrap them around his forehead. Immediately, they’re staining red—you grimace and look away.

The silence hanging over the room only lasts so long.

“What’s next?” Klaus asks quietly. “This won’t work for long. What’s the plan?”

Your gaze lowers as you rest your hand against Dazai’s cheek, memorizing his face as best as you can. The heaviness in your chest returns, and along with it, the damning reminder of your reality.

“I have to kill Mori.”

--

Dazai suddenly understands his dream.

“It’s the only option,” you say quietly when Dazai’s expression immediately twists at your words. Your eyes look so heavy and your expression is so crestfallen that it makes Dazai ache. His fingers twitch to reach out for you but you shift away, shaking your head. “It’s the only option, Osamu. It has to be done.”

“But-”

“He tried to have me kill you,” you snap, and he almost rolls his eyes because he doesn’t need reminding of that. He’s abundantly aware of the fact that he almost died at your hands because of Mori. He refrains if only barely. “Why do you care about what happens to him?”

“He’s your father,” Dazai says, watching as you go stiff. He knows he might’ve just made a mistake saying that, but he doesn’t even know if you fully understand the gravity of all of this or if you’re just running off heightened emotions right now. “I don’t care about him, he can go fuck off and die for all I care. I care about you-“

“He’s not my father,” you spit out, voice tight, “and maybe you shouldn’t care about me.”

Oh, here it comes, Dazai thinks dreadfully. That was the opening you needed to bring up the subject Dazai desperately wanted to avoid. He has made a fatal mistake. He should’ve just nodded along and agreed to your plan.

“You’re right he’s not your father,” Dazai immediately agrees to appease you and try to avoid the imminent conversation. “I don’t know what I was thinking. Hey, do you have food here? I’m so hungry all of a sudden, wow, do you hear my stomach-” 

You sigh, looking away. Your eyes are suddenly very tired and Dazai’s words falter on his tongue as his gaze settles on you. His fingers twitch to reach out for your hand but you draw them back into your lap. Dazai’s gaze drops at the blatant rejection, but as soon as you notice, you reach back out to intertwine your fingers with his. He feels placated, but only a little, because he still has a tight feeling in his chest that he can’t push away. A looming fear that something is going to go terribly wrong.

“Can we please talk about this?” you finally ask quietly, and even though Dazai does want to say no, he simply cannot bring himself to. 

So, instead, he nods, and braces himself for what he knows is bound to be a terrible conversation. He waits for you to say something—you look like you want to, but he thinks that maybe you’re struggling just as much as him at opening the conversation. 

This isn’t going to go well, he realizes again, swallowing thickly. 

“Come on,” you finally say, rising to your feet. You hold out your hand to him and Dazai stares at it for a moment, confused. “Let’s get you cleaned up, you smell disgusting.”

“I wonder why,” Dazai mutters, and he means for it to come out as a joke, but when the small smile on your lips falters, he realizes it probably came out much too bitter so he quickly grabs your hand instead, letting you help him to his feet. He tries to get you to smile again by giving you a soft one of his own, but now the expression on your face is heavy and conflicted. “Are you gonna take a bath with me?”

“You should probably rinse off before we get into the bath,” you say dryly, thumb running along the back of his hand before you let go of it. “Otherwise we’ll just be sitting in shit water.”

Dazai almost gags. “Don’t remind me what I’m covered in right now,” he pleads. “Where is the shower?”

The light returns to your eyes, a smile flickers to your lips, and Dazai considers it a win even if he is covered in shit and god knows what else. He glances back down to where he’d been laying and winces when he sees the stains. His eyes flicker back up to you and he cringes when he sees the displeased expression on your face.

“I’ll make Atsushi and Akutagawa clean it,” you say more to yourself than to him, shaking your head and motioning for him to follow. “Bonding exercise.”

Dazai raises his eyebrows, unsure if the couch is even salvageable, and almost lets a comment slip about it considering you were so quick to throw out his couch to replace it, but he refrains when a sad expression crosses your face when you think he’s not looking. He frowns, looking around a bit more scrutinizing now.

This place looks nothing like your apartment.

Your apartment is… plain. Minimalistic. The most you have decorating it is a handful of paintings on the wall and a couple of antiques displayed on dressers. Other than that, you have your furniture, your television, and that’s just about it. Dazai had joked once about it feeling like a hotel room, and promptly stole your credit card to buy things to decorate with—gaudy Christmas lights even though it’s not Christmas, a couple of fake pumpkins to line against your wall and a plastic skeleton to pin up near the window. He even bought an inflatable snowman to put in the middle of the room, but it hasn’t come yet. You rolled your eyes every time you came back from work to see some new, seasonally inappropriate decoration in your apartment, but he could tell the more things he added to your apartment, the happier you seemed to be. 

This place was actually decorated. Pictures and trinkets set up on the dressers, all of the furniture matched and the walls were a warm burgundy instead of the off-putting, psych ward white of your apartment. You said this was a safe house, but it seems more like a home than your actual one. 

“What is this place?” he asks again, because it’s something more than a safe-house, he just doesn’t know what.

“I told you,” you frown. “A safe house.”

Dazai’s lips curl down in response but he doesn’t press, gaze flickering over to one of the side tables against the wall, trying to figure out who exactly is in the pictures on it, but as he strains his eyes to focus on it, pain ricochets through his head and he has to abandon the mission. Disappointed, he follows you into the back bedroom and realizes he’ll just have to figure it out later.

He almost stops in his tracks in the doorway when he sees that the bedroom is just as homely as the rest of the safe house. It’s weird—the same burgundy walls, dark mahogany furniture, there’s what looks to be a handmade quilt draped over the foot of the bed. It’s just so unlike you that it almost has Dazai reeling.

You give him an odd look when you see the twisted expression on his face, but motion toward another door. “The bathroom is in there—go rinse off and run the bath, I’ll be in there in a minute, I’m going to grab a change of clothes for you.”

“Mkay,” Dazai agrees, a jump in his step as he rushes over to the bathroom. 

He only pauses for a second to take in his surroundings when he gets in there—he’s not as surprised now by the style. Less modern, more rustic, just like the rest of the house; it’s more like something he’d expect to see in one of those American holiday movies. He leans over the tub to run the hot water before pulling off his clothes. He squints as he starts to unwind his bandages, looking into the shower and realizing that the only soap in there is an unopened bar soap, and a men’s shampoo and conditioner set. 

A bit suspicious now, he glances at the door leading to the bedroom before kneeling down in front of the cabinets beneath the sink. With one hand, he unwinds the bandages around his legs, and with the other, he reaches out to open the cabinet so he can snoop. Just as he expected: men’s deodorant, a spare baking soda and peroxide toothpaste that he knows you hate, and a handful of different colognes. There’s one bag off to the side and Dazai reaches for it, peeking in and finding your typical bath soaps and hair care.

Whose place is this? He wonders, pausing for half a second before taking out your soaps and bringing them into the shower with him. It’s not Chuuya’s—Dazai knows that because he hasn’t seen a single tacky hat yet, but then whose?

He’s quick to clean himself off, eager to be with you and still a bit anxious that you might disappear when he’s not looking. The water runs brown as it rinses over him, but it feels nice—Dazai realizes that this is his first shower since he got kidnapped by the Guild, and a part of him wants to bask in it. He wants to wash off all of the unfamiliar touches and the dirt and the blood, but more than that, he wants to surround himself with you instead. Which means he has to hurry out of here and drag you into the tub with him. 

He thinks maybe he should be biding his time. He has a lot to think about before he actually talks to you—he’s hardly even had a chance to process everything that happened—but still, he finds himself rushing to scrub himself. It couldn’t have been more than ten, fifteen minutes before he’s stumbling out of the shower and grabbing a towel to wrap around his waist. He almost expects you to be waiting in the bathroom for him, but you’re not, so he frowns and creaks the door back open to look for you.

Your name is on his lips as he steps back into the bedroom, but he falters when he sees you standing in the same place he left you: right outside a closet, except now the door is open and there’s a sweatshirt in your hands. The expression on your face is destroyed, and Dazai isn’t exactly sure what to say, luckily, he doesn’t need to because you hear the door open and turn toward him.

Whatever you’re about to say dies on your lips as your eyes trail over his body.

Another fatal mistake.

Dazai instantly realizes that he has never taken off his bandages in front of you before—that night at the beach house, he thought you were going to ask him to take them off, but you didn’t. He was glad for it, because he wasn’t sure if he was ready, and after that… Well, everything went downhill after that.

Dazai suddenly wants to flee. He becomes acutely aware of all of the scars on his body plainly in view. The warm, dim lighting becomes spotlights shining down on him, highlighting all of the flaws that he’s feared your reaction to. He waits for your face to twist—or, he knows you, you probably wouldn’t have such a visible reaction, so he focuses on your eyes instead.

But they only curve up along with your lips, a fondness in them that he doesn’t expect. You place the clothes down on the bed and approach him, his breath catches when your hands rest on his hips right above the towel. The skin-on-skin makes his chest ache—he’s missed you so much, he hadn’t even realized how hard it had been to breathe without you until he was back with you again.

“I’ve missed you so much,” he breathes out loud, lashes fluttering when your thumbs circle over his hip bones, right over a jagged scar that cuts across his lower abdomen—the product of an unfortunate encounter in Suribachi. 

“I missed you too,” you say softly. Your eyes trace over his face like you’re trying to memorize each little detail—usually he feels uncomfortable when under a scrutinizing gaze, he never wants someone to look too closely at him in fear of what they might find, but he feels warm beneath yours. “I’m sorry.”

He’s not sure exactly what you’re apologizing for; it could be anything from almost killing him to letting him into your life at all. He’s not yet ready for this conversation to start, he hasn’t even gathered his thoughts yet, so instead he glances pointedly back toward the bathroom. You let out a soft breath—he can’t tell if it’s irritation or you’re just tired, it might be both, but you do motion for him to go in and he can hear you following him.

The water is still steaming as he lets the towel drop to the ground and sinks into it. His muscles instantly relax, eyes sliding shut as he rests against the back of the tub, letting out a soft sigh. For a moment, he can almost forget everything that’s happened, his head falls to the side to focus on you as you undress, folding your clothes and placing them on the side table. He blinks when you pull off your dress shirt, gaze zeroing in on a scar marring your upper back. It’s small, circular—a bullet wound, maybe? It doesn’t go through to your chest though, he would’ve noticed that. 

“How did you get that?” he asks curiously, belatedly realizing he probably has no right to ask about scars considering his body is riddled with them and he’d probably evade most attempts at your prying if you asked. 

“Hm?” you ask quietly, looking over your shoulder at him as you finish undressing.

The words falter on Dazai’s lips as his gaze roves over your body. You’re beautiful, he thinks again, a bit more dreamily this time. You’re beautiful, and he’s missed you so much, and he just wants all of this to be over so he can go back to lounging in your apartment and spending your money all day. It’s only when you raise your eyebrows that he clears his throat and nods his chin to your back.

“The scar on your back,” he explains. “How did you get it?”

“Oh,” you realize, making your way over to the tub and tapping his shoulder, motioning for him to shift forward. You slip into the water behind him, circling your arms around his waist and Dazai’s chest feels warm and full as he rests back against you, eyes sliding shut. “An assassination attempt when I was eighteen. I was… reckless, saw it coming and… Well, luckily, the Flags had been in the area. Iceman figured out what was happening and they got there quick enough to stabilize me and get me to Mori.”

Dazai’s throat swells at the implication of what you’d said, trying to distract himself with the feeling of your fingers tracing across his abdomen. He notes softly, “You’re never reckless.”

Your fingers pause in the absent patterns you’re tracing on him, and Dazai wonders if it’s a sore topic, about to retract his words. Before he can, you let out a soft breath and drop your forehead down on his shoulder, arms tightening around him.

“This was Itou’s house. All of the stuff in here, it’s his family’s—stuff he was able to salvage after they were killed. He tried to keep the house like how his mother used to keep it as a way to memorialize her,” you say quietly. Dazai’s eyes widen as he recognizes the name of your old partner. “We were enemies when we first met, y’know? It was during the big conflict six years ago. He was part of one of the foreign organizations. I ended up recruiting him, but he spent a few months on his own here. He was careful to keep it a blind spot to the Port Mafia even after he joined up, I always thought he was paranoid about it, but he was quite insistent that there was no need for people to know about it.”

“Makes sense,” Dazai says dryly. “I wouldn’t want Mori knowing where I’m living either.”

It’s an off-handed quip, but you still stiffen and again, Dazai fumbles to say something else because he clearly upset you. He starts to add, “I-”

“I killed him,” you finally say, voice weak and airy. Your arms loosen around him, but his hands drop to cover yours, holding them in place. “I killed him, Osamu.”

“I thought you said he died on a mission,” Dazai murmurs, hand tightening around yours when he feels the way your fingers are trembling. 

“I… Itou was born into this life. Was born into a Yakuza-family based in Tokyo, trained since he was old enough to walk how to use his ability… how to kill. The Yakuza syndicate his family was the head of was wiped out by the Sun and Steel when he was eight… nine, maybe. His mother was able to get him and bring him back to Australia—that’s where she was from. It’s how he ended up with Strain,” you explain, and the water suddenly feels a bit cold—what happened to Itou’s family sounds a lot like what happened to Dazai’s. From the way you pause, you wonder if you realize the same thing. You quickly change the subject, “He tried getting me out of the Mafia.”

“What?” Dazai asks, surprised. He shifts to physically look at you, catching the wistful expression on your face. “You wanted to leave the Mafia.”

The wistful expression shifts into something much more conflicted. 

“I didn’t-” you start to say before cutting yourself off. “I don’t know. I think maybe a part of me might’ve wanted to. I was… curious. He was sneaky—he was always such a sneaky bastard. He tried to ease me into it, show me what a different life was like. Called them training exercises, wanted me to blend in with kids my age.”

He remembers you telling him this at the beach house, but he listens anyway because now you do sound wistful. His eyes slide shut as you hold him tightly, pressing your lips to his shoulder blade before resting your chin on top of it. 

“His gift to me for my eighteenth birthday was an acceptance letter to university. He pulled some strings. It was for YNU, actually, funny enough,” you say softly. Dazai’s eyes widen as he turns to look at you again; there’s a small, sad smile on your lips and when he turns, you take the chance to steal a kiss from him. “Imagine, we could’ve been first years together.”

Dazai doesn’t dare to respond. His hand tightens around yours—if it’s painful, you don’t let it show. Odasaku dragged him to orientation, and he imagines meeting you there. You’re good at socializing—charming—Dazai can be too when he wants, but he definitely did not want to during orientation. He mostly sulked away and waited for it to be over so he could go back home. He imagines that you’d be in the same group with him, and although he’d probably ignore you the first few times you tried to talk to him, he’d eventually give in. Dazai is weak to pretty women, especially when that pretty woman is you.

Or maybe, you’d meet during a shared class. You would probably be a poli-sci major, but he’s taken classes in the field for requirements. He hated them, thought they were boring, but he probably would’ve enjoyed it much more if he had you to admire all two hours of the class. And maybe-

“I was curious,” you repeat, voice tighter. There’s more of an edge to it now, and Dazai realizes that this story is about to take a turn. “I… I wanted to try it. I told Mori.”

Dazai’s eyes widen and he sits up straight. The water sloshes around him as he physically turns around to face you. He asks, but can’t finish, “Did he…”

“He said it was a great idea,” you say tightly. “He encouraged it. I accepted the spot, and a week before orientation, Itou died on a mission that we got bad intel for. My whole team, they died to make sure I got out alive. Mori denied having any involvement, said he wouldn’t risk an ability user as powerful as Itou, but I know. I know he had a hand in it. I’ve always known it. The government had been after Itou for years—they said he was a national security threat. A couple of weeks later, we suddenly have the skilled business permit that Mori’s been trying to get for months. It was a trade-off. I know it. Two birds, one stone. The skilled business permit and my full focus back on the Mafia for Itou’s life.”

Dazai’s lips part to say something—anything—but he can’t. Your eyes are misty, and the foreboding feeling that’s been haunting him since he woke up intensifies. You shake your head, blinking back tears. 

“I never should’ve brought you into this world, Osamu.”

Dazai needs to think now. He needs to figure out how exactly he’s going to go about this, whether he should be soft and demure, appealing to your heart, or if he should be more forceful, triggering your guilt. 

He goes with the latter.

“Well it’s too late for that,” Dazai says, keeping his voice steady until he knows how you’re going to react to it. When you instantly shake your head again, his voice hardens. “It’s too late, I’m already in it. You can’t just get rid of me. Take accountability.”

“You don’t think I have?” you question dryly, looking away from him. But he needs you to look at him for this to be effective, so he reaches out to grab your hand, dragging your attention back toward him. “I killed your family, Osamu.”

“She was a girl my age—the previous boss’s granddaughter—she was asleep, had a bear tucked in her arms and a nightlight on the right side of her bed. I slit her throat, then both of her older brothers. They were kids.”

Her name was Akane. Bunji and Touma were her brothers. 

They were Dazai’s brothers. Dazai’s sister. The stuffed bear was called Coco, and Akane would clutch it and cry whenever Dazai started talking about things like death. She was scared of dying; more than that, scared of the people she loved dying. She cried for weeks when their grandmother passed, and got angry at Dazai when he didn’t even cry at the funeral. Dazai used to share a bedroom with her and Touma, but he hated her nightlight—it was purple and it was always right in Dazai’s eyes when he laid down. He convinced his mother to force Bunji to swap rooms with him, so Dazai had his own room on the second floor of his grandfather’s estate.

“You were a kid too,” Dazai rasps out the same thing he said at the beach house, but it comes out a bit weaker this time knowing exactly who the people you killed were. “You were fourteen. You-”

“I played a role in tracking your mother down,” you continue. Dazai’s breath catches as his fingers loosen around yours. “It was my punishment for not making sure all of the grandchildren were… eliminated. I was the one that was tracking her down, and I was the one that was going to interrogate her for your whereabouts when I found her.”

“Stop,” Dazai says quietly, voice wavering.

“No,” you reply firmly. “No. You need to understand this-”

“I do,” Dazai insists, voice cracking. “I do understand-”

“You don’t, Dazai,” you raise your voice and Dazai cringes back. You sigh and soften your voice, but the damage has been done, Dazai’s fight or flight instincts have been triggered. This conversation is not going to end in his favor, so he needs to run before he gets hurt, but he can’t because you have him stuck in the bath with you. You reach out again to take his hands in yours, fingers absently running along the scars on his wrists. “You don’t, otherwise you wouldn’t have been so quick to join me in here. You haven’t even had time to process it.”

“Yes, I have,” Dazai whispers weakly. “I have.”

“I ruined your life, Osamu,” you say quietly. “Everything bad that’s ever happened to you started with me.”

“That’s not true,” Dazai argues, nails biting into your skin as he clings to you. “My life sucked before everything really went to shit. The first time I tried to kill myself, I was eleven. You saved my life. I was going to kill myself that night we met at the bar. You saved me.”

“Osamu-”

“You’re not listening to me,” Dazai interrupts, voice taking a more manic edge as he shakes his head. He can talk himself out of any situation—why is he failing now when it matters most? “You’re not listening. You saved me. I love you.”

“I love you too,” you breathe out, but the words don’t settle his nerves because they’re heavy and full of sorrow, and the tears that had been pooling in your eyes finally start to spill over.

“Then why does this still feel like a goodbye?” he begs, breath shallow as he searches your face for an answer.

You don’t respond, but you don’t need to. He finds his answer in your eyes. He always does. You look at him again with that desperate, longing expression, like you’re trying to memorize the details of his face even though you know it’s futile. 

This is a goodbye.

--

Dazai hasn’t spoken to you once since your conversation in the bath.

Chuuya, your subordinates, and the Flags are back now, and Dazai is sulking in the bedroom watching one of his dumb reality shows. You can hardly focus on the conversation at hand because of it, and you know the others are starting to get irritated by your distraction considering the stakes at play right now. If one thing goes wrong, all of your lives would be forfeit. They’re risking everything by helping you right now, and you can't even bother to give them your full attention.

“Out,” Piano Man suddenly says. Your gaze snaps toward him, as does all of the others’ in the room. When nobody immediately moves, he raises his eyebrows and continues dryly, “Are you all hard of hearing? I said get out.”

“Where are we supposed to go?” Albatross demands. “Her boy’s in the bedroom. This place is small-”

“Go crowd in the closet for all I care. Get out,” Piano Man says dismissively. Still, no one moves until his gaze sharpens and they realize he’s being entirely serious. You shift to leave with them until his eyes land on you. “Not you.”

You feel like a child about to be scolded, which is ridiculous because you’re a mafioso, and though Piano Man is technically the same rank as you, he’s not really. He can’t scold you, but you shift awkwardly on your feet and share a concerned look with Chuuya anyway as they all wander out of the safe house and into the small hallway outside.

Once the two of you are alone, you finally glance back at Piano Man, who’s watching you carefully. After a few moments he says, “I take it you told him the plan?”

“I did,” you reply quietly.

“He didn’t take it well?” Piano Man questions.

“You know the answer to that,” you say a bit more dryly before shaking your head. “Would you have taken it well?”

“Of course not, I’d be livid,” Piano Man says immediately, making you cringe. “Does this mean we’re changing the plan?” 

“No,” you tell him. “We can’t. This is the only option.”

“I know,” Piano Man says with a thin smile. “So stop sulking and get your head in the game so we don’t all die trying to perform a coup.”

You’re startled by the sudden sharpness in his voice, but you suppose you shouldn’t be. Piano Man has always been capricious, going from his whimsical moods to more cold and ruthless ones within a matter of seconds. You can hardly meet his eyes now, looking down at the ground to avoid them.

“Why are you helping me?” you ask after a few moments.

You don’t have to look at Piano Man to see the way he raises his eyebrows judgmentally. “Excuse me?” 

“I was going to kill you earlier. I held a gun to your head. Why are you helping me?” you press, the words weighing heavily on you as you remember the way he met your eyes when you lifted the muzzle of your gun to his temple.

Piano Man has the audacity to look amused. “When I first recruited Lippmann, I tried to drown him in the harbor because I got paranoid he sold me out to the feds after a mission went wrong. It happens—the next time it does, I’m going to be pulling my own gun out though. So, don’t let it happen again, yeah?”

“Yeah,” you agree quietly. “I’m sorry.”

You don’t apologize often, even when you know you’re entirely in the wrong. Mori has taught you only to apologize when it serves you, otherwise you should never make an admission of guilt or liability. So it’s not surprising when Piano Man’s eyebrows shoot upward, but his expression softens after a moment. He reaches out to pat your head.

“I know this isn’t easy,” he murmurs, “but we need you at the top of your game if this is going to work.”

“I know,” you reply. “... I know.”

“Good,” he says, patting the top of your head yet again before sighing. “Let me go get them and we’ll get back to planning, okay?”

“Mkay.”

You lean back against the wall as you look down at the table Lippmann set up for planning. The Flags, your subordinates, Kajii Motojiro—they’re non-factors in the planned coup. The Flags will support it, your subordinates will support you, and all Kajii cares about is his experiments. Paul Verlaine is not quite as secure, but Chuuya is confident that he’ll support whatever Chuuya goes along with.

The issue lies in Kouyou and the Black Lizards.

You already feel a headache come on just at the thought, lifting your hands to your head and rubbing your eyes as you knock the back of your head against the wall and let out a heavy sigh. Kouyou and Hirotsu won’t support the coup, you know it. They’re both loyal to Mori—both victims of the previous boss who found refuge in Mori when he took over. They’ll fight for him, and you know better than anyone that during a forceful transition of power, all dissidents must be removed, especially ones that hold significant power and influence.

But it’s Kouyou and Hirotsu. Kouyou, who was the one to teach you how to do your makeup properly, who bought you your first kimono to match her own. Hirotsu, who was always quick to execute anyone that openly disrespected you, who took you to a movie on your fifteenth birthday when Mori was busy dealing with the power transition so you didn’t spend it alone. The thought makes you sick—they were family, and maybe Hirotsu could be convinced. He’s loyal to Mori, yes, but more than that, he’s loyal to the Port Mafia. If you can manufacture a legitimate reason for the coup…

You sigh as you glance down the hall where Dazai is hiding in the bedroom, startled when your gaze catches his familiar brown. He’s seemingly just as surprised that you caught him spying, immediately slamming the bedroom door shut to retreat back into the safety of the room. Your lips curl up into a small smile, which is quickly washed away when your subordinates, the Flags and Chuuya all file back into the room.

“I’ll talk to Ane-san,” Chuuya finally says, reigniting the conversation. “I’ll make her see reason.”

“There’s no time for talking, Chuuya,” Piano Man tells him. “This all has to be done within hours. If we let word get out about what we’re doing… The coup is risky, and a civil war would be the end of this city.”

Frustration flashes across Chuuya’s face. “I’m not budging on this,” he says, voice tight with thinly restrained anger. “Either you give me the chance to talk to her, or I’ll withdraw my support.”

“Chuuya,” you sigh tiredly, wanting nothing more than to just sit down.

“No,” Chuuya interrupts you. “I won’t actively stand against you, but I won’t stand with you if you don’t give me the chance to talk to her.”

“Fine,” you finally say even though you know it’s a mistake. It’s asking for trouble. Piano Man gives you a sharp, disapproving look, but you shake your head. “It’s fine. She won’t be keeping her executive position.”

Chuuya’s face twists. “But-”

“No.” This time you interrupt him, holding up your hand. “I’m not budging on this. If you want the chance to talk to her and convince her this is the best route, I’ll give you it, but you need to meet me halfway. She’s not retaining her executive position.”

Chuuya looks unhappy, but after a few moments, he nods. “Fine.”

“I can’t risk it, Chuuya,” you tell him quietly. “I need people who I trust in the inner circle. I can’t trust her after what just happened.”

“I get it,” Chuuya says. “I just don’t like it.”

“That leaves three executive seats we need to fill.” Piano Man lets out a heavy sigh as he sits on the edge of the table, tilting his head back in exhaustion. “Your’s, Ace’s, and Kouyou-san’s. Do you even have three more people who you trust?”

Klaus and Akutagawa, you think to yourself, but neither of them are executive material. Your gaze drifts over to Albatross, Iceman, and Doc, each of them pointedly looks away, none of them want the open seats. Lippmann can’t take it, not with what you have planned for him. So, who else-

“Verlaine?” Chuuya offers. “He’s got a ton of experience with the European organizations—we’ll probably need it considering Dostoevsky’s involvement with the Guild, and this Book that’s apparently somewhere in the city. If it gets out to the public, we’ll have organizations swarming just like during the Dragon’s Head.”

You don’t like the idea of Verlaine being an executive, and you don’t think Piano Man does either considering his unfortunate first meeting with the man, but Chuuya raises good points. You have your own experience with the European underworld, but it’s nothing like what Verlaine has.

“Okay,” you agree, “and the other two?”

The Black Lizards are its own command unit that answers directly to the Boss. They don’t have a seat at the table because it’s not their field. Their field is war, not politics… but what other options are there? The people you trust are far and few in-between, you can probably count them on one hand.

“What about Tolstoy?” a familiar voice asks quietly from down the hallway. You look up immediately, gaze focusing on where Dazai is standing in the door of the bedroom, hands shoved in the pockets of his sweatshirt, shoulders hunched. He doesn’t like the attention of everyone on him, so he keeps his eyes trained fully on you. “Mishima?”

“They’re not part of the Port Mafia,” Chuuya dismisses, “they don’t get seats.”

“But what if they were?” Dazai presses, shuffling forward. He hardly spares Chuuya a glance before looking at you again. “The transition of power is going to be shaky, you need to strengthen your position in other ways, otherwise…”

“You think we should merge with the Three Deaths and the Sun and Steel,” Piano Man realizes, sitting up straighter as he considers Dazai’s proposition. “Doesn’t that risk destabilizing us even more though?”

He looks at you for an answer, but your gaze is focused on Dazai. He’s not even gone yet, but you already miss him desperately; all you want is to be with him, but it’s just not possible. You can’t have him and run the Port Mafia at the same time; he will die because of his affiliation with you, just like he almost did when the Guild captured him. It wouldn’t matter how safe you tried to keep him, one mistake and he would die. And that will lead to every decision you make being centered around him, not what’s best for the Port Mafia and that will lead to its inevitable ruin. 

“No, Osamu’s right,” you say, and Dazai preens at the praise, but then quickly deflates again. You want to reach out for him, but you refrain. “Not a merger. An acquisition. The Three Deaths and the Sun and Steel are already pretty much extensions of the Port Mafia, we would only be formalizing it. I trust Tolstoy and Mishima—I pretty much built the Three Deaths into what it is today myself. We’d give the Port Mafia an official foothold in Russia, more sway over everything that happens in Tokyo. It’s a good plan. Great one, even.”

“Will they even agree to it?” Chuuya asks doubtfully. “Go from being fully autonomous to answering to us.”

“They pretty much already do just answer to us,” Albatross mutters.

“They’ll agree to it,” you tell him quietly. “I’ll make sure of it.”

Tolstoy won’t be hard to convince. He, Chekhov and Gorky are all good friends of yours, you helped them build the Three Deaths, you helped them win territory battles against the Pale Flame and the Red Chamber. All it would take a few words of convincing for them to agree to it. Mishima might be more difficult, but all you have to do is convince his daughters, and they hang off your every word.

There might be some dissent from the Sun and Steel executives, but even then, you think it would be minimal at worst. It’s a good plan. Having Tolstoy and Mishima sitting at the executive table would lend you some much needed support during the transition, and with the Port Mafia subsuming the Three Deaths and the Sun and Steel, it would provide a major deterrence against any foreign movements from Cao Xueqin or Yi Sang.

“What about Hirotsu and the Black Lizards?” Akutagawa asks, shifting awkwardly when all eyes turn to him. He doesn’t meet anyone’s eyes, and you know it’s because he actually cares about what your answer might be. Akutagawa likes to pretend that he doesn’t care about anyone, but you know he has a soft spot for the unit that took Gin in so easily.

“We can’t afford to lose the Black Lizards,” Iceman notes as he lights another cigarette. “Especially if we’re bringing in other organizations. We don't want our own people to feel like they’re being lost in the mix, y’know?”

“I’ll handle Hirotsu,” you finally say. “It’ll be fine. I just need to figure out how to frame this. Needs to be framed in a way that makes him feel like this was the best, and only, course of action for the Mafia. He’s loyal to Mori only to the extent that he’s good for the Port Mafia. I’ll figure it out. Leave that to me.”

“Ace’s subordinates?” Albatross prompts. “They been handled? We can’t have them knowing about him. Can’t have anyone knowing about him.”

“Dead,” Akutagawa says. “I killed them.”

“Security cameras? CCTV? Any record of this kid being affiliated with us?” 

“Wiped,” Klaus answers flippantly. “We’ve gone through it every day since they met. Weren’t allowed to sleep ‘til made sure everything from the day was wiped. There’s no physical record of him ever being around us.”

“Okay, so we get this settled, and then we wait on Repin for the rest of us, right?” Albatross asks. Dazai cringes at the mention of Repin, and you look away from him, unable to watch the pain that crosses his face.

“Yeah,” you say quietly. “It all needs to happen within no more than a couple days otherwise we risk the wrong people finding out so…”

“So we should get started,” Chuuya sighs, pushing himself off the wall. He squeezes your wrist as he passes by you, walking in the direction of the door. “We’ll give you guys some time. I’ll let you know how things go with Ane-san.”

You nod, eyes following him as he leaves. The others follow, filing out of the room until it’s only you and Dazai left again. You turn to look at him, so many words on your lips but incapable of pushing a single one out. Instead, you reach out to cup his face between your hands, running your thumbs across his cheekbones. His lashes flutter shut as he leans into your touch.

“It doesn’t have to be like this,” he whispers, brown eyes heavy and glassy as he looks down at you. “We can figure something else out. I know we can. Just give me some time, I just need a little time, I’ll figure something out.”

“We don’t have time,” you say, voice cracking over the words. “I love you, Osamu.”

Dazai pulls away, shaking his head. He wipes quickly at his eyes before looking at you again. You expect what he says, but it doesn’t make it hurt any less.

“I won’t forgive you. Not for this. Not ever. I can’t.”

“I know.”

--

SIX WEEKS LATER

“I must say, I wasn’t expecting this invitation,” a familiar voice hums as the door to your box opens. You don’t turn to look at him, keeping your gaze trained down on the performance taking place below. “Not from you, and not after everything that’s happened.”

“No?” you ask absently. “It’s unlike you to not expect something, Dostoevsky. Less like you to admit it.”

“Fyodor,” he corrects as he comes to stand next to you. He’s close enough to you that you can feel his body brushing yours. You finally turn your head to look at him—his lips are curved up into a deceptively soft smile, violet eyes glittering with a type of mischief that you know is dangerous. “We are well enough acquainted to be on a first name basis, no?” 

“Dostoevsky,” you repeat pointedly, looking back down at the show as the first act reaches its climax. Of all of the shows you’ve seen, Tosca is still your favorite. This rendition here at the New National Theatre isn’t quite as good as the one at La Scala, but you’re enjoying it well enough.

Dostoevsky lets out a huff of laughter, you don’t turn to look at him when you feel him reach out to touch you. His fingers trace along the maroon scarf hanging loosely over your shoulders. You barely withhold a shiver when you feel his knuckles skim your neck—rumor has it, skin-on-skin contact alone with Dostoevsky is enough to kill. You don’t die, but it’s enough to beckon your attention back to him.

“Red is your color,” he murmurs, looking down at you through his lashes. “You look beautiful.”

“It isn’t yours,” you reply quickly, glancing down at the red tie tied neatly around his neck. “Neither is flattery.”

Dostoevsky does laugh this time—it’s soft and short, pretty like a bell. Unbefitting of him, just like the color red and false flattery. 

“It isn’t?” he asks, keeping his voice deceptively playful. “I wore it for you. Since you invited me, I thought it appropriate that we match. I heard of your success in Yokohama. I should congratulate you on your new promotion. Or perhaps extend my condolences for the death of your father? Are condolences still proper when you were the one to drive the knife into his back?”

It’s a dig, an attempt to get under your skin and throw you off before getting into the meat of the conversation. You can feel his eyes on you, the soft playfulness gone and replaced by a sharpness that has you on edge.

“You said it yourself. One life or thousands.”

“It was a bullet to the head,” you correct idly—the words taste like poison on your tongue, but you’re careful to not let it show on your face. “Condolences are unnecessary. He was not my father.”

“It’s okay, dear, this was how it was always meant to be.”

“Hm,” Dostoevsky hums, amused. “I was quite pleased when I found out about the coup. I wasn’t expecting it.”

He wants to add something else but he decides against it. He’s very calculating with his words, he always has been, but he is especially now. You know that each word he speaks is chosen for a specific purpose, and it’s hard, even for you, to break down each one as he speaks it to understand why he says it so you can choose your own words carefully in return. Fyodor Dostoevsky is the only man capable of consistently beating you in exchanges of words, and that is concerning. 

It’s why you invited him here—you need an idea of what he’s planning while you solidify your newfound position.

“It seems you struggle to expect many things I do,” you note. “I should add it to my resume. I doubt many people are capable of repeatedly surprising Fyodor Dostoevsky.”

“It is true,” he agrees with an airy laugh. “You are a… difficult opponent. I will admit it.”

 “Is that so?”

Dostoevsky makes a soft noise of agreement, lashes fluttering as he glances over at you once before he looks back down at the show taking place down on the stage. 

“You are not guided strictly by logic,” he muses. “It's there, of course, you are very intelligent but it’s laced with so many emotions. It is difficult for me to determine your course of action because I can never predict when you will lead with emotion, and when with logic. And even then, there are grades to it. I could account for dozens of plans of action and miss the one you take because you are just a bit less emotional than I anticipated… I did not predict that you would go for Zelda Fitzgerald, it was quite bold—there was a high risk for failure. You make things… much more interesting. I enjoy it.”

“You would find something like that enjoyable,” you say sarcastically, taking a sip of your champagne. “There is something seriously wrong with you, Dostoevsky.”

“Fyodor,” he corrects again with a light smile. 

“Dostoevsky.”

“Heh,” he laughs quietly. “I will… wait for things to settle before making another move here in Yokohama. I’m curious to see how all of the chips fall on their own. You’re in for quite the storm with that bill that just passed through the Diet, aren’t you?”

You don’t respond. You got the answer you needed, so there’s no reason for you to keep entertaining his snide comments; you’ll just watch the show in peace. You’ll have the bit of time you need to get things settled before Dostoevsky makes his next play. Though the man is a compulsive liar and you have no reason to trust him, Dostoevsky has never lied so blatantly to your face, so you’ll take him at his word until you have reason to believe otherwise. 

Dostoevsky takes your silence as an opportunity to continue talking, naturally.

“I did have a question for though,” he says, a bit too thrilled by the prospect of your answer. You don’t like the way his eyes are lit up, and you especially don’t like the smile on his lips. “Entertain me?”

You raise your eyebrows pointedly, waiting for him to ask it. 

“I heard rumors that the reason behind your sudden decision to overthrow your father was more… intimate than most believe,” Dostoevsky murmurs, leaning like he’s sharing in some schoolgirl gossip with an old friend. Your brows furrow as you process his words. “You must tell me what boy has managed to steal your heart. He must be something special. Not even I was capable of that, I’m almost jealous.”

You look at him now, gaze sharp but confused as your eyes trail over him before focusing back on his face. He seems surprised by your reaction, tilting his head to the side and studying you carefully.

“I have no idea what you’re talking about.”

--

to be continued in ... the land is inhospitable (but are we?) [est. release: early feb]

--

WOWWWWWW GUYS WE FUCKING FINISHED CIVZAI .... or well, ;) civzai1. some notes:

i promised a happy ending, i know ... but i promised it for civzai in general, and they DO have a happy ending ... just not yet. pls dont bully me ill cry i'm so proud of this. i didn't lie.

i always intended on there being two parts to this series because i feel like time apart is essential in the pmreader universe. when dazai defected in canon universe, and now with her taking over as boss and wiping her memories of him. the first part was always gonna be the guild arc, the second arc is gonna be my rendition of the hunting dogs and the decay of the angel

this is the ONLY universe where pmreader becomes port mafia boss ;) i actually had it noted that there was only one universe on the background page in wykyk once i started writing wasteland, baby but no one caught it ;) i was wondering if anyone would put two and two together

i actually went back and retconned chapter 1 to have them talking about the divine comedy instead of petrarch because of the first scene in this chapter. i thought it would be neat coming full circle with the themes of betrayal and death, + the hozier song this chapter is based on is about the 9th circle in the divine comedy. so everything just tied together too neatly for me to not add it.

;) just remember now with repin involved, reader's narration is now entirely unreliable. we don't know what's truth and manufactured by repin.

i was actually really tempted to base civzai2 off of a mother mother album just because hayloft II fits what's going to be the first half of it SO fucking well, but i had to go with mitski because the whole album literally captures the vibes of the second series perfectly

[paper-mario-wiki]

wait so how did you get a "boring" office job? did you have to go to college or did you just apply for basic stuff and work your way up from there?

it was 100% through connections.

i mean, i actually GOT the job and have been able to KEEP the job because i'm smart and capable and good at doing things and have made the company a lot of money, but if i didn't know the right people i would not have even had a chance at it, and it would be disingenuous of me to pretend otherwise.

most of the moment-to-moment skills i use for clerical work (the majority of my job) i gained in highschool through my fascination with computers + all of the programming and software classes i took.

the business and accounting classes i took in university primed me for a basic understanding of how to run a company (or at least how to manage one, as my exact title is "Business Manager"), and all of my anthropology and sociology studies have given me a pretty keen insight for communication, which comes in major handy in a corporate setting. i was able to latch onto Corpo Speak pretty quickly, which has proven to be an indispensable skill (if a bit soul-sucking to utilize).

i got this job after receiving 0 work or callbacks from Indeed after applying to dozens of jobs over several months, which is a very difficult idea to reconcile with for me. i feel like im pretty capable, but apparently people whose job it is to give other people jobs don't agree. in spite of this, in 2 years ive generated hundreds of thousands of dollars of revenue for the company that decided to hire me because the owner saw me down on my luck and wanted to give me a break.

so i have to wonder, are we stupid, or are the companies stupid?

it's the companies. ive seen it firsthand. with this job, i go to business events and meet some of the most gullible people ive ever come across, and they're all CEOs.

they're so ravenously shortsighted with regards to their quarterly profit margins that they'd chase a 5 dollar bill the wind blew off a cliff for their shareholders. or more accurately, they'd push one of their minimum wage workers off the cliff to grab it.

because of that shortsightedness, conditions are getting worse, employment terms are becoming shorter, companies are shuttering left and right, pays are stagnant or lowering, and the growing number of people this inhuman greed affects are becoming more and more restless.

if you can't get a job in 2024, there's a very good chance it's not your fault. you shouldn't give up (unfortunately for now we still need to earn money to live in society), but try not to forget that.

[cool-island-songs]

Analysis of ALNST Character Relationship Metrics

My art book won't be here for a minute, but I ran some screenshots I saw on twt through an image translator and have a lot of thoughts:

TILL: Despite claiming to hate everyone in the world, Till ranks Ivan at 70% intimacy even as he identifies perturbing behaviors of Ivan's going back years and refers to him as "a bother". He also ranks Sua at 10% in spite of having little to say about her and finding it uncomfortable to be around her.

Though he postures at being misanthropic and has all the manners you'd expect of a boy who was half off at the human child pound, he's actually quite gentle and sensitive. This is reflected in one of the graduation messages he's left by a classmate as well:

The person he feels closest to is an unattainable crush, and someone who doesn't feel that close with him in return, likely because he's too shy to really approach her or carry on a conversation.

MIZI: That's Mizi, of course, who's rather childlike and naive initially. She likes everyone, but since Till chokes when he tries to speak to her and often keeps his distance, she wonders if he's avoiding her because he dislikes her.

Mizi gravitates towards people who she sees as "perfect", which is how she describes Ivan and Sua in her graduation message to Ivan:

She doesn't see the darker side of Ivan's personality (which has been described on several occasions, even by himself, as "twisted") because he's attractive, successful, and helpful to her.

Though she likes everyone, Sua is her "God", and the only thing that can keep them apart is the tragedy of their situation, which forces Mizi to grow up in a brutally painful way.

SUA: Sua is far less idealistic and naive than Mizi, and has clearly thought about sacrificing herself to save Mizi, since Ivan picks on her for thinking of doing so in an official comic. Accordingly, her feelings about Mizi are far more tinged by the knowledge that they will one day be torn apart by external circumstances. She laments that reciprocating her feelings will one day cause Mizi great pain.

She's always been more somber, and despite her surface similarities to Ivan (which he notes in a follow-up comic wherein he realizes he was wrong about Sua's feelings for Mizi being unrequited), she's quite different on the inside. Sua's more sensitive and thus her colder exterior serves to protect her, whereas Ivan's outward persona creates an illusion of normalcy that doesn't reflect his reality.

Sua views Ivan and Till as a threat and a nuisance, respectively. Like Till, she senses something strange about Ivan, and when it comes to Till, it's just one person too many around for her. This is fascinating to me, because I thought she might pity Till! Her feelings about Ivan were already pretty clear from this panel of the 'piggyback' comic, and she seems deeply hurt in the first comic linked by his prodding.

IVAN: For his part, Ivan is fascinated by Till even though he's content to sit back and observe, pestering him to get a reaction or his attention for a brief time. He doesn't expect anything in return but wants more than anything to be on Till's mind (hence behaviors like stealing Till's belongings and returning them to him, pretending he had found them).

He prefers Sua to Mizi despite his awareness that Sua doesn't particularly like him, seeing her as a sister and even telling her she's "twisted" like he is. He likes Mizi well enough, especially her sincerity, but seems to find her optimism a bit much at times.

The fact that Mizi and the others would likely consider Ivan and Mizi quite close while Ivan does not reflects how much he postures even in his closest relationships. He struggles to connect with those he's most compelled by and it's not clear if he really wants to.

Some Ivantill thoughts before I go:

There seems to be a common sentiment that it's tragic Till was unable to see how much Ivan loved him, and I think we'll likely get more of Till's perspective on Ivan and their relationship in round 7. But it may not be the case that Ivan even wanted his true feelings to be seen, or would have known what to do if Till had reciprocated them.

There's something almost voyeuristic and self-negating in his feelings for Till (see: "I can’t reach you, so I imagine alone/You who shines, I stand next to you" from 'Black Sorrow'). He has far more self-awareness and willingness to accept things as they are than Till, who doesn't see that Mizi only has eyes for Sua and who would likely struggle to accept that reality.

Ivan, on the other hand, is well aware that his feelings for Till are "shallow", a bright fantasy to get him through his dark reality, and he seems to sincerely believe that his death won't scar Till because he's never really broken through to him. He's a schemer, and comments he makes in his graduation message to Till and the interview he gives in advance of round 6 suggest that he may have been planning to sacrifice himself for some time.

Part of me wonders if he hoped it would leave a mark on Till. Choking, kissing, and violently sacrificing oneself are all aggressive, forward acts, especially from someone who used to toy with people to get his kicks but was otherwise quite passive and unfeeling.

There are a lot of parallels in the one-sided loves, like Till acting out of his usual character for Mizi, and Ivan doing the same because of Till, putting all hopes of being saved in something just out of reach, staying in chains for that one special person. But Ivan's psychology is quite different from Till's, and in fact closest to Luka's re: low or no empathy. Both Ivan and Till are significantly traumatized by their upbringings but Ivan's difficult early life in the slums and his experience being dangled off that rooftop seem to have damaged his ability to connect to others or feel much of anything.

Till is the first person for whom he feels anything while for Till, Mizi is an early crush he puts on a pedestal in a much more commonplace way. I think the shared trauma of competing on that stage makes it much more difficult for either of them to imagine moving on, but Ivan is not wrong in identifying that he won't find that feeling again.

The thing that intrigues me most about this series is the way the contestants' differences play out, particularly with regard to how they view love and how they respond to their individual and shared challenges. I'd love to get into it further another time but this is quite long already so thanks for sticking with it if any have (haha)

[vaguely-concerned]

when spite describes itself in lucanis' journals, it seems to consistently use the wording 'a small shade'. self-identified 'just a little guy (threat)' fhsak. I really like that wording, though. a shade, something cut off from the wholeness and living light that is the fade and made a shadow cast by someone else in the real world. 'small', under threat, vulnerable, sort of scrappy (and perhaps a little pathetic but in a 'don't touch me I'll bite!!!' kind of way haha).

I'm so in my feelings over how in the last journal it/he describes the two of them as 'a small shade and a wounded spirit sitting together', though. he's so confused and frustrated about what's going on with lucanis at the beginning, but once rook explains that lucanis isn't intentionally fucking with him, he's just hurting, spite seems to understand and accept that pretty readily (if not without some initial 'ugh FINE physical reality rules are so DUMB bitch you guys live like this' frustration lol). lucanis' early statements that spite doesn't, can't or won't learn are obviously bullshit and the game basically tells you so the moment he says it haha, but you know what. that is some deep learning spite is doing, and in like a year of being in the physical world too. I know plenty of actual real adult human beings who are not capable of that level of insight.

and also, as an aside... I think it's pretty conclusively proven in the series that spirits do have the ability to change and learn all on their own when they get the opportunity to and that it gets turbocharged for good or ill when they're exposed to the physical world. but I also wonder if some of it is the other side of the two way connection. just as spite flows into lucanis, surely that must happen after some fashion the other way too. does spite have some access to/come into contact with lucanis' kneejerk empathy response? to be in opposition to something or someone is not the same thing as not understanding them or where they're coming from, after all. in fact sometimes that can amplify the 'no no trust me I get it I understand. but fuck you doubly for it actually you still suck that why only makes it worse', so I don't feel that would go against spite's nature, even. lucanis already has such an interesting relationship to his own empathy all on his own -- he's a prime example of how 'empathy' and 'compassion' are not inherently the same process and one need not accompany the other. when he's in contract mode, empathy is just a knife, a way to understand people deeply so he can stab them better and more efficiently. when he's in family mode, empathy is accompanied with enough tenderness and compassion and warmth that it makes me feel ill to consider and makes it a bit hard for him to stay with, sometimes. it's the same skill/instinct, but shows up differently based on the context he's in. sure why not drop a demon in there and see what happens I guess lol. 'smells like tears and lying' anyone. spite's response to meeting compassion out in the world is 'GOD no don't make eye contact keep walking this is so fucking cringe', but uh. there's no way for him to escape it within the bounds of the person he's been frankensteined into, is there. aaaah it's so interesting.

there's something so fascinating to me about two souls who are so close they can't help but reflect and bleed into each other, but also remain two separate entities who can look at each other. and be mutually protective about it, clearly. augh.

[endursent]

Hi Ma’am! I’ve recently come across your “my partner turned into a cat” series and it’s wonderful. I was wondering if I could request something similar where reader turns into their partner’s favourite animal? Preferably with Kaveh, Neuvi, and Dottore (if you write for him). If not, that’s all good. Have a nice day!

【 content; established relationship , humour , gn!reader , temporarily turned animal (reader) 】

【 characters; il dottore, kaveh , neuvillette 】

【 note; i haven't actually written for dottore before strangely enough considering how much i love him, so it might take a while for me to get his personality and mannerisms down... thank you for the ask! 】

【 word count; 1.454 | masterlist 】

Il Dottore;

Never had you considered what his “favourite animal” is, mostly because you’re convinced Dottore doesn’t have a “favourite” anything—his interests are too unpredictable and subject to change at any moment. 

  Though you should have seen it coming that one day, his experimentation would strike you—thankfully you’re not dead, you’re luckier than some assistants that have been zapped a time or two and carried out in body bags. However…

  Why are you a fat little platypus, and why does he seem so excited about it?

  You look absolutely ridiculous, you imagine—and feel, having four legs and a beak is peak body horror that is unfortunately eating at your brain right now. And yet, Dottore picks you up like one would a cat and dangles you in front of him with both an excited and thoughtful expression. “How unexpected—and interesting. I made little change to the formula…” he plops you down on the table next to the damned formula he had been adjusting… never will you inhale “experiment fumes” again. Not that you’re supposed to be doing so in any case.

  “A fascinating specimen indeed,” he pokes around your fur and you shake yourself, but he is relentless with his prodding! “One of the few mammals capable of electroreception! I wonder if you've maintained those sensory capabilities... This requires immediate testing."

  He doesn’t leave you alone for a single second that you’re like this, always either checking something—one time you were freaking out about the fact that you had no idea how to eat or drink like this… and Dottore took out a notebook and tried to get you to bite his fingers to “test the venom”... you bite a bit harder than he likely bargained for. 

  Dottore does try to “help” in his own way, while he brainstorms how to turn you back, he creates a “suitable habitat” with burrowing zones and a “pool”. He means well, but he’s also using it to observe you like a specimen so you kick up dirt and splash water on the floor and tables in spite.

  Out of anyone, Dottore is the fastest to get you back to normal… or he could, if he wanted to. But he kind of likes seeing you waddle around trying to walk with webbed feet and seeing you knock your tail into things and make weird noises. He has plenty of experience pressing your buttons and what makes you tick as a human, why not enjoy a new side of you?

Kaveh;

He’s more traumatised than you are when one moment you’re standing next to him—and the next there’s a random ass deer there. He looks around and searches for you frantically, thinking you might have fallen into a creek or rolled downhill… very unaware of that same deer following him around and trying to get his attention. 

  He does love deer, he thinks you’re unimaginably cute but also kind of silly in the way horses are silly but not huge and terrifying. 

  Kaveh almost needs you to headbutt him for him to realise that you are, in fact, in front of him and not soaking around in a nearby river hanging out with the frogs. Thankfully, he’s smart enough to put two and two together after he snaps out of it—but now he’s just confused.

  How? You had just been right there! There wasn’t even a rustle of leaves or anything!

  In any case, he needs to get you back to the city… you walk like a human in a deer suit, unused to the long four legs and strange join positions—and as soon as you enter his and Alhaitham’s home (after getting your antlers caught in the door like an idiot if you have those) you suddenly stop. 

  “What is it?” Kaveh peeps from behind you, confused as to why your ass is just standing in the doorway.

  The house has hardwood floors.

  He doesn’t realise this, of course, and gives your behind a firm push—only for you to slip and slide and nearly tumble inside like a freshly born animal. Kaveh rushes in behind you, apologising for nearly knocking you over and trying to make sure you don’t fall against anything and break things… Alhaitham would never let him live it down if he saw this.

  It’s not exactly easy to… navigate this, you’re not a small animal nor are you yourself particularly knowledgeable about your new proportions. 

  He can barely stop himself from continuously stroking your fur and feeding you crunchy things to be able to watch you munch on them. It does kind of kill the fascination he had with deer, as he’s never really interacted with them so closely until you happened to become one.

  You follow him around like a lost puppy, even as he had a very important client meeting—you didn’t let him get away… and thus, Kaveh had to improvise a bit. 

  The client, an older woman, squints at you standing slightly behind Kaveh and trying to munch on the blueprints in his hands (you haven’t had food for two hours, which is disastrous with this huge stomach you have now). 

  Kaveh clears his throat, pushing your snout away. “Yes, we can change the—no, you see, this is… yes, it’s okay, this is just… a friend.”

  He has no idea how to explain this so he just chooses not to. “Anyway… about that garden idea, if we put a patio by this side—”

Neuvillette;

You can’t believe he’s keeping you in a bowl. 

  Somehow, and for some reason, when you had accompanied Neuvillette for an evening walk along the seaside just outside of Fontaine’s walls—you had stubbed your toe on a shell that stuck out of the ground, and with a sudden zap… you had turned into a blob.

  Neuvillette looks up from his desk as he hears your soft body pound against the bowl next to him—and toss up some water that almost splashes onto the documents splayed out before him—and frowns slightly. “I know it’s not very spacious… I apologise, my love. But I don’t have anything larger at this moment, hopefully the pet store will find a more adequately sized fish tank soon.”

  He doesn’t understand how you had suddenly turned into a jellyfish, you had been behind him for a brief moment before he heard your curse (likely because you stubbed your toe) and then a poof… when Neuvillette had turned around, you were like a deflated balloon on dry land. 

  Thankfully he had created a pocket of water for you from the saltwater nearby to float in as he brought you back to the city, but the situation puzzled him greatly—how could you become such a creature? He wasn’t entirely sure you were fully conscious in that body, but judging by your frustrated movements in the small bowl, he suspected you at least had partial awareness. 

  Neuvillette doesn’t want to leave you alone while you’re like this, he’s both worried you might suddenly transform back, without any clothes—which would be terribly awkward to try and depart his office in that state—or possible hurt yourself if you broke the bowl with the transformation and cut yourself.

  Thus, thankfully after you’re given a larger tank in his office (and at home, he’s not leaving you at his office overnight alone!) there is a smaller one placed in the Opera Epiclese, next to his chair. 

  During a court proceeding, Neuvillette had to present the evidence in a firmer manner than usual, as the representative to the one being judged was being rather contrarian—which was far from productive and consumed far more time than it needed to. 

  Every time he successfully made an argument that couldn’t be refuted or argued with, you released a faint bioluminescent glow—as if applauding his expert navigations of the evidence and arguments. No one seems to notice (it’s difficult enough to see Neuvillette so high up above the stage) but he still feels a bit sheepish when you do it—you’re likely not doing it on purpose, he doubts you would know how.

  Neuvillette is very careful with the temperature and the salinity levels of the water you inhabit for the time being, he creates a careful schedule to check it every few hours as well as adjusting it depending on day and night. He’s very determined to ensure you’re as comfortable as you can be, whether you realise you’re a weird blob with tentacles or not. 

  And he hopes he can figure out how to change you back soon… as cute as it is to watch you twirl around and show off when he stands before your tank, he would rather you show off your moves as yourself—where he can properly talk to and touch you. 

[my-castles-crumbling]

sledding - 25 days of Jegumas - Day 15 - @noblehouseofgay - word count: 481

"This is s-stupid," Regulus huffed as he trekked up what felt like a mountain, his feet hitting the obnoxiously large sled he carried over his shoulder.

"It's worth it!" James called to him from a few steps from behind. "Trust me, Reg, you have to try it at least once!"

Regulus let out a frustrated breath, coughing a bit from over-exertion, and focused on making it to the top of the ridiculously high hill.

James had been obsessed with the idea of Regulus trying sledding ever since Regulus had let it slip he'd never done it as a kid. The Gryffindor had pretty much counted down the days until Regulus came home with him for the holidays, not just so they could spend time together, but so he could make sure Regulus got to experience all of those things he 'missed in his childhood.'

Which was all very nice and sweet when it came to things like hot cocoa and matching pajamas, but going on a hike up a hill in six inches of snow while lugging a sled behind him was not on Regulus's bucket list. Still, James was eager for him to try it, and seeing James happy filled Regulus with a mortifying sense of warmth that he refused to discuss with most people.

So as they arrived to the top and looked down, Regulus first reflected on the fact that it felt a lot higher as he was climbing than when he looked down. Then, he looked over to his boyfriend's huge grin. "Alright," he sighed, plopping his sled on the ground and aiming it down the hill. "Hold this so I can sit?"

Nodding happily, James gripped the wood of the sled so Regulus could clamber on top, adjusting the knitted hat and scarf Effie had made him and taking a deep breath. "Okay. Let's get this over with. Let me go," Regulus sighed, steeling himself for the worst as James gave him a small push.

He felt like he was flying. The swoop in his stomach, the way the sled moved under him- it was...it was fun! He let out an involuntary giggle as he felt himself go over a small bump in the ground, adrenaline pumping, cold wind whipping past him and stinging his cheeks. And when the hill smoothed, he still slid. Faster than he thought possible, more than fifty feet past the end of the slope!

When he finally stopped, he turned with a grin on his face to see James still standing at the top, whooping.

"Come down, then!" he yelled, waving him forward and watching in fascination as James zipped down the hill as well.

When the other boy finally stopped near him, Regulus stumbled forward and pressed a kiss to James's cold lips.

"Again?" James asked, smiling.

"I guess we could go once more," Regulus grinned in spite of himself.

[lazywriters-blog]

A PINCH OF HATE

AVENTURINE x FEMALE!READER + DR. RATIO

Summary: Just Aventurine being a little brat and poking fun at Ratio- trying to make him jealous and showing off, and trying his best to spite Dr. Ratio. After all, the doctor might have feelings for his darling as well. [This is a little silly lol but I tried.]

Warning: Possessiveness, angst? Jealousy. Overall a lot of touching from Aventurine, he's lowkey obsessed.

"Perhaps you should learn from your companion a bit of self-restraint, gambler."

"Whatever do you mean doctor, I'm plenty patient." Aventurine ever the smug, slippery little guy grins and purs out a retort, she was hoping his grip on her waist would loosen and drift away but that hasn't happened yet and it's making her uneasy.

"Oh! Do you find her fascinating perhaps? Taken a liking to my darling, now that won't do." he giggled to himself, and if she hadn't been forced to stay with him for an entire week, she wouldn't have noticed his slight change in tone.

"Don't be ridiculous, I find her qualities to be much more preferable than yours."

"Sheesh, it almost sounds like you're after my darling here, doctor." Dr. Ratio ignored the blonde and turned his attention to her, asking, "Why do you stick around with idiots? You should have better places to be than here."

"Umm... I-" Aventurine pulled her close to his body and pouted, "I suppose we are idiots in love, doctor."

She couldn't tell him what happened for her to end up miserably hopeless beside Aventurine, or if she could even get a chance.

'Do you like him or do you not?' She was cornered one afternoon. During that time she began regretting stepping out of her office, Aventurine was just outside waiting for her and she didn't know what he had in mind. 'where's this coming from?' she tried to pry in-between them some space, nervously smiling and looking to her right but he kept nearing her with a smug smile.

'Come on, we are friends... Right? Don't friends share their secrets?' she hadn't considered him a close friend, though she did enjoy his company.

'I mean he considers me to be much inferior to him... Probably, I'm likely too dumb to be with a genius.'

'Ah~ I didn't mention who 'he' was.'

She playfully pushed him back and shyly looked down, 'You and your stupid mind games.'

'Let's make a bet.' He grinned, and she groaned. Though she did win some of his bets, it remained difficult. 'Not this one again.' she took a step back.

'Come on don't be like that~ it will be fun.' She sighed and he took it as his cue to carry on. He took long strides towards her and smiled wide.

'Go on a date with me or...' he leaned into her ear, breathing out the last of his wager, 'stop liking him.'

He was testing her, making good use of her feelings and manifesting everything in his favor, though she wasn't surprised. Aventurine was always one step ahead and she was an idiot.

She likely didn't stand a chance against him. Whatever he had planned for them both, she doubted he would consider her livelihood. Aventurine can be selfish with the things he wants, she's realized that.

Aventurine took his time rubbing salt into Dr. Ratio's unseen wound, slyly smirking and giving her a quick kiss on her lip and clearly, it left her bewildered.

Was that her first lip-to-lip contact?

"Ugh-" Dr. Ratio released a disgusted noise and clutched his book closer to his chest, "take your lovey-dovey display somewhere else." Aventurine let out a haughty laugh and grinned, "Shouldn't you be saying how wonderful of a couple we are? Are you jealous of me Doctor?"

"With you being a shameless gambler and her a decent lady, I don't find anything much appealing."

Aventurine faked a sad sigh and looked at her, "Don't mind him, he's being salty he hasn't acquired a beautiful maiden like yourself." he kissed her cheek and she was tempted to say she didn't mind him, at all but decided to remain silent. "Let's go select some of the rings I've prepared for you!" he leaned back a little and gently stirred her around to the exit with his hand still holding onto her hip.

"What? Surely you aren't thinking of involving her in your cunning schemes and putting her in grave danger. Or perhaps you've lost your mind." That made Aventurine stop and she took a peek at his face, he wasn't showing any emotion but she could sense some spitefulness.

Eventually, Aventurine turned his face and grinned back at Dr. Ratio, "You shouldn't care about what belongs to me, doctor."

She didn't get to see what expression Ratio had wore as Aventurine was quick on his feet and quickly dragged her along with him. She let him sit beside her during the ride back to his place, and though she had meant to keep her lips sealed and tucked tight, curiosity had begun to gnaw away her peace.

So she asked, "Does he like me too?" if it were anybody else, anybody like Dr. Ratio she would be given a scowl and a complicated response of yes and no, but this was Aventurine and he would have known something she didn't beforehand.

His hand gently touched her knee, and he gave her his signature smile, "Oh, it seems like the doctor isn't very good at being subtle, but I digress, as a potential partner doctor would be horrible and it would be a nightmare for both parties. So it shouldn't matter whether he liked you or not."

"Right." She didn't know how to respond and it wasn't like she was hoping for the doctor to return her feelings or share her sentiment.

Aventurine turned towards her and smiled, "Moving on, I think we should wear a matching pair of attire tomorrow, so let's go shopping!"

She nodded, she couldn't lie she was enjoying the attention Aventurine was showering her with.

[ode-to-fury]

Just Sweet Enough

Pairing: Lucanis x f!Rook

Summary: Rewrite of the relationship lock in scene

Notes: I need them to kiss here and I need it to be sweet and this happened. Bioware please hire me to write a dlc for u I'll do it for free I swear. Spite dialogue in italics.

"Emmrich, I need your help."

Emmrich looked up from the tome he'd been reading. A fascinating history on Arlathan that Bellara had thought he might enjoy.

"Lucanis," he said jovially, glad to see the man was feeling better, looking slightly more rested.

"Rook told me about your little fade expedition," he said. "Is there something amiss?"

He'd ached to go and ask Lucanis and Spite about exactly what had been going on with them, but Rook had told him not to. Told him to let them get some rest, so he'd settled for grilling her about it instead, until she'd been all but falling asleep on his shoulder.

He did think sometimes she indulged him a bit too much.

"No," Lucanis said, pulling Emmrich back to the present, "I think we've... reached an agreement. Somehow."

We have. A deal. Spite sounded different. Not happy, persay, but... Emmrich struggled to think of a word for it.

Determined?

The younger man's hand went to the back of his neck.

"With Rook's help, no doubt," Emmrich said. "Remarkable young woman."

"She is," Lucanis said, and Emmrich did not miss the way his voice softened when he did.

"That is... actually what I wanted to talk to you about," he said. He gestured at the couch next to Emmrich.

"Of course, my dear boy, sit!" He scooted over slightly. It was his favourite place to sit, beneath the astrolabe in the library. Oh, he could spend hours on that couch, provided Manfred brought him enough tea.

"Is something the matter with Rook?" He asked.

"No," Lucanis said quickly. "No, nothing is the matter, not that she has told me. I just... want to..." he trailed off, his hands clenching into fists on his lap.

Faintly, Emmrich could hear Spite talking.

Thoughts are too loud when he thinks of her. Feel. Too much. Honey and lightning and home. He's stupid.

"I want to do something for her," he said finally, quietly.

"And I'm sorry to ask you, but Davrin would talk to me in hunting metaphors as if they are even remotely the same thing, Bellara would start talking about something else entirely, and Neve wouldn't know about any of this if it stabbed her in the neck."

Emmrich supressed a grimace. An accurate summary of their travelling companions, if a tad unsympathetic.

"She is- she deserves- " he sighed, he ran a hand across his face in defeat.

"Well, then," Emmrich said, taking pity on him, putting a hand on Lucanis's shoulder. "I'm sure she'd be delighted. If it came from you."

"But that is the problem," he said, almost panicked. "I am an assassin, Emmrich. All I know is death. What could I ever possibly do for her?"

He looked down at his hands, open now in his lap.

"How could I ever thank her for... " he closed his eyes, blew a long breath out of his nose.

Emmrich thought about it for a moment. Oh, there was no question that young Rook was infatuated with him, and he with her. No question at all. But how could they prove it to each other? To themselves?

"Hmmm," he hummed as he thought, and then an idea came to him.

"Surely," he said, his brows raising innocently, "You can think of one other thing you might be good at?"

Lucanis looked at him, lost. Emmrich almost laughed at him.

Good at making. To eat! Slice things! BURN THINGS! HA!

"I think Spite has the right of it, there," he said with a grin. "Sort of."

"Cooking?" Lucanis asked. "You think I should cook her something?"

"I think our Rook has a lot of worries," he said. "I think that she would appreciate someone taking the time to think of her, and do something special. Romance, or whatever you would like to call it, Lucanis, is about the small details."

"I know that," Lucanis replied. "But cooking? I cook every day. Almost every day."

"Do you make something with her in mind? Something to bring her some comfort? It's no small thing, making a meal for someone."

Lucanis sat for a moment, frowning at the floor in front of him, then his expression lifted.

"Emmrich," he said, grinning, "I think you might be right. I'll see you at dinner."

We go to Burn Things! For Rook!

He stood and walked to the door, then turned with his hand on the handle.

"You wouldn't... happen to know a dessert that pairs well with coffee, would you?"

***

Lucanis was just adding the last sprinkle of chopped hazelnuts to the torte when the door opened.

"Rook!" He said, his voice pitched too high. He cleared his throat.

Oh, mierda. He should have put someone outside the door to keep her away. Spite should have told him she was coming. Damned demon.

"Lucanis?" She said uncertainly, frowning at him. She walked toward the kitchen, and he tried to stand in front of the stove so she wouldn't see what he was making.

"What are you doing here?" He asked.

"I was... hungry?" she said, one eyebrow lifting.

"I wanted to see if someone had started on dinner already. What are we having?"

She peered over his shoulder, and he could see her expression change as she beheld the pot, smelled the contents and connected the two things. He'd realised when he'd started cooking that he'd never made anything special for her before. It was always other people asking him for things. Katchapouri for Neve, spiced rices for Taash, turnips for Harding.

She never asked for anything, not even her mother's rabbit stew. It was Orlesian, she'd said, and the library had helpfully provided him a recipe.

A part of him felt ashamed, because it was such a small thing, the simplest thing he'd cooked since getting here, but he'd been so busy thinking about Illario, and Caterina, and Minrathous that he hadn't thought about what it might mean to her to have something from home.

A different part, a bigger part, the part that her presence in his life had woken up, that part was determined to make it up to her, no matter what.

"Wait..." she said slowly, her eyebrows lifting in surprise, "Is that...?"

"You said it was your favourite," he said, and he couldn't help that his voice became soft as he said it.

"In a passing comment weeks ago," she said, shaking her head. His heart broke when she looked at him, because there was disbelief on her face, as if he wouldn't remember everything she'd ever said to him. As if he'd dare forget any little thing that added up to who she was.

"You remembered?" She asked, her dimples appearing as she smiled. Her voice was so small and fragile that he almost couldn't bear it.

"Of course," he said, trying for a grin. "And a hazelnut torte for dessert. It pairs well with the coffee you like."

"You- " she stopped, shook her head. "You made all of this for me?"

"There is enough for everyone," he said, trying for levity. Immediately, he knew it was the wrong thing to say. She wilted slightly.

Wrong, wrong, wrong! It made her smaller!

Of course he felt like saying something now, Lucanis thought, annoyed. More at himself.

"Well," she said, and he heard how she tried to hide how much it meant to her, crossing her arms in front of her chest like a shield. Mierda, he didn't want her to hide anything from him, ever again.

"As long as they're fine with having my favourite meal."

"They won't complain."

She was quiet for a moment, frowning at the stove.

"You didn't have to do anything special for me," she finally said, quietly.

You are. Making it. WORSE. Make it. BETTER.

"Yes, I did," he said quickly, and she looked back at him. Maker's blood, he was listening to a demon tell him how to talk to her. He wasn't used to this, to holding something as fragile as her heart. "I still don't know how to apologize for... everything."

And there was so much to apologize for. To thank her for.

"And you- "

"You made Orlesian stew, and dessert," she said, cutting him off because she knew, of course she knew he didn't know how he wanted to finish that sentence. She gave him a grin that punched straight through his chest. Mierda, she was still trying to make him feel better.

"Just for me."

"It's nothing," he said, earnestly. Just then, Emmrich's idea felt decidedly laclustre. He felt decidedly laclustre.

"Or, not enough."

"It is."

Her smile was soft. Soft enough that he almost believed it when she said,

"And you are."

And you are.

Then her grin turned more crooked, her eyes sparking with mischief.

"And I'm perhaps too easily bribed by sweets."

"I'll... keep that in mind," he said, smiling back. He realised he could stare at her forever, if she let him. He also realised he'd been doing it too long, and quickly cleared his throat.

"Thank you, Rook," he managed after a moment. "I suppose that is what I wish to say."

"Oh," she waved a hand dismissively, her grin turning decidedly crooked. "What are friends for, if not to break you out of your mind... fade... prison... thing?"

He looked at her, and those weeks of trying to pretend that he felt nothing, that it was just Spite, that he wasn't good enough, that an assassin should not get attached, worried that her kindness and trust was something to be wary of, piles and piles of excuses, all went through his head. Weeks of being so worried about Illario and Caterina that he'd missed the fact he'd never made her dinner before.

For once, he agreed with Spite. Because he was an idiot.

She changed everything. And perhaps the world might end, and he might have to kill his cousin, but just then, looking into her eyes, he wasn't scared anymore. Not of this.

"Friends?" He asked softly.

She blinked. Then frowned at him.

"What else- "

Her eyes widened, and her mouth dropped open.

"You mean- ?"

Then her expression melted, and his heart broke, because before she turned away from him, he could see her write this off as something she didn't deserve, as one more thing that could go wrong. As if there was anything she could do that would change what he felt for her. As if she wasn't the best thing he'd ever been given a chance to know.

"You don't have to- "

Whatever she was going to say was cut off, because he kissed her.

Despite his fears and excuses and dissmissal of his feelings for her, since that first coffee at Cafe Pietra he'd pictured this moment so many times it had almost become rote. He'd pictured it happening in Treviso, at Cafe Pietra. On the beach in Rivain, beneath the stars, or in Arlathan, with drops of rain falling off the leaves they were sheltering beneath. In his dreams, there'd been lightning, and fire and ice and butterflies after he'd said exactly the right things, done exactly the right things, charmed her the way Illario would charm someone, and given her a first kiss worthy of a romance book.

This was not that.

It was a peck, and he hadn't even thought about it, and she was looking at him like he'd grown two heads.

"I want to," he said, breathless. Maker, he wondered if a proper kiss would kill him.

Hesitantly, he cupped her cheek with his hand. To his relief, she didn't pull away.

"You know my mind better than anyone," he said. From this close, he could count the little brown specks floating in the grey of her wonderful eyes. "I've wanted to. But I was... scared. And an idiot."

Her hand came up and closed around his wrist, like she was trying to find something to hold on to.

Or trying to keep him from leaving.

"What changed?" She asked, and if he didn't know any better, he'd say she looked scared.

"You," he said simply. "You change everything."

Rook opens locks.

She smiled hesitantly, and the only thing he could compare it to was the first breath of fresh air he'd taken outside of the Ossuary.

It wasn't in Treviso, beneath the lantern light, or on the beach beneath the stars. He hadn't said the right things, not the way he wanted to, but she'd understood. And when she leaned forward, her soft lips were warm against his own. Warm, and unsure, and sweet.

Not what he'd dreamed. Better. Because this was real.

He wondered where he should put his hands. He wanted to pull her closer, or perhaps run his fingers through her hair, or maybe he should keep a hand on her cheek...?

"What is it?" She asked quietly, pulling away slightly, her eyes filled with uncertainty.

"I don't know where to put my hands," he said, stupidly. But then she laughed softly, and suddenly it seemed nothing else in the world truly mattered.

She took his hands and put them around her waist, and her own arms closed around his neck, pulling him close again.

"I think this is good," she said, and Maker help him, he could smell the lightning on her hair she was so close.

"So?" He asked her, allowing a satisfied grin to steal across his features, "How would you describe the taste?"

She looked up at the ceiling, considering.

"Just sweet enough," she touched her nose to his, then frowned, as if in thought.

"With a hint of hazelnut."

He laughed, breathless.

"You're blushing," she breathed when he stopped, grinning, her eyes filled with wonder, a finger gently tracing along his cheekbone.

"I'm happy," he said, realising he meant it for the first time in a very long time as his hands splayed across her back. "You make me happy."

He kissed the grin off her face, deciding that was a better use of both their breaths than talking.

"Oh!"

Lucanis almost pulled out a knife when Rook pulled away, startled by the noise.

Neither of them had heard footsteps, and he realised belatedly that the door was still open from her earlier entrance. Sloppy, dangerous, but just then he'd never felt further removed from Caterina's strict lessons on discipline.

"Bellara!" Rook said, staring at the elf, who was staring at them. Lucanis watched as a blush spread across her cheeks, and couldn't help but feel a strange pride at it's appearance.

"We were just- " she looked to him for help.

"Finishing dinner," he said, aware he was still smiling, aware he still had his arms wrapped around her, aware he didn't care, not in the slightest.

"Oh, that's ok!" Bellara said, striving for casual and not achieving it in the slightest.

"I'm... gonna go. And come back later!" She said, "And definitely not tell Neve!"

She was gone before either of them could say another word, the door closing behind her, leaving them alone together in the firelight.

Rook turned back to him, her head dropping onto his shoulder as she laughed tiredly.

"Who's blushing now?" He asked her softly.

She lifted her head and levelled a playfull scowl at him.

"Shouldn't you be cooking?"

He grinned, pulling her closer to him.

"In a second," he murmured, before he kissed her again, and somehow, every time, it seemed to get better.